The 3 Bawbags of Xmas-yet-to-come present: Tue Massacre: Beyond the New 52! (featuring Mister Attack)
December 14th, 2011
Illogical Volume: Okay, so the idea here is that we’re going to do another one of these shit-talky back and forths, this time on DC’s New 52 (I hate the whole Nu52 thing, smells like team Durst), with various diversions into non-DC comics for added flavour. I don’t know, I guess I’ve just read a veritable CUMPKINLOAD OF COMICS in the last three-and-a-half months and I feel the need to share my thoughts on them with both you and the rest of the world. Do you feel like enabling me big man?
Botswana Beast: Yeah, the nomenclature is – it’s external, it is entirely New Metal (the first music I loved, forefathers: Faith No More, whose cassette album ‘Angel Dust’ was the first by a single band I owned, in fucking Christmas 1991/2, I did have Now 17 before that.) It should have an ümlaut ideally, because comics are nothing if not racist and utterly without taste.
But anyway, yes, I think I have some feelings about comics, still, in my one remaining nerve, the world passes me by in numb shock, but these – well, one can express oneself. Isn’t it wonderful now everyone can express themselves via this technological medium? Wunderbar.
Illogical Volume: FEELINGS ABOUT COMICS ARE THE ONLY TRUE FEELINGS! So long as we can keep that in mind, we should do just fine here…
2000AD Progs 1750 – 1763
If I was writing about 2000AD like The Beast Must Die is was doing for a while there (note to The Beast Must Die: please write about 2000AD again soon!) I’d have the slight problem of wanting to repeat myself every week – there are two strips in here that are regularly worthwhile, you know what they are (Indigo Prime and Judge Dredd) and I can’t think of much to say about the other strips. Which is just another reason why TBMD >>>>>>>>>>>>>>>>>>>> me, obviously.
I’d feel like a total dilettante trying to say anything clever about Judge Dredd, so I’ll focus on Indigo Prime right now, which… well, thanks for “making” me buy the Indigo Prime trade at Kapow!, Botswana Beast, because this is so exactly WHAT I WANT that I can’t believe I hadn’t read it all before.
The last strip in Indigo Prime’s previous incarnation, Killing Time, also happened to be the best one. It’s both From Hell as written by a skin-sick sensualist and (thanks to the bulgy brilliance of Chris Weston’s art) a warped precursor to The Filth, which is to say that it’s pretty close to comic book perfection. This freshly relaunched series doesn’t quite have the same queasy feel to, but that’s okay. If Killing Time was the blue meat you’d pick up from a bad butcher, these two new stories have had a sort of processed meat feel to them, more like something you’d buy from the local Spar on yr lunch break and instantly regret. Only, you know, good.
Regardless of the exact flavour of meat involved, it (the old and new incarnations of Indigo Prime) is (are) one (two) of my favourites. Yes.
Plus, also, Al Ewing and Brendan McCarthy are going to be working together on a new strip called Zaucer of Zilk for 2K, so you can consider me officially THERE for the New McCarthysim, as always…
Click here for more! An early Xmas Overload awaits, now with extra added Scottish!
Tuesday Reviews: Advanced D&D: Meth vs. Chef (“vers’ Chef”), part one: Fear Itself
October 25th, 2011
Botswana Beast: [post-factum editorial note: these were written intermittently on a GoogleDoc, in sections post- the release of Marvel’s 2011 event Fear Itself, I think after issues 4, 6 and 7 were released unto the buying public.]
Right, son, I’mo get my fit-to-print pants on:
Where to start, oh, man; I guess you bought Fear Itself, I was surprised you did because you are a grown-up who buys [LOL interjection] grown-up comics, and you bought it because of how I described it to you at Kapow!? (How much punctuations should I put there? Feels like I should put more) Which was – I dunno – it was in April, so I guess just after the first issue? And I described it as “Final Crisis set in the Marvel Universe” which is… it’s not inaccurate, but, basically the lesson is never, ever listen to me.
Because it’s been – and I know some folk don’t think it inarguable that Final Crisis was a good comic, let alone a great one (I think “you are probably wrong” to these people, not necessarily on a permanent basis, just on that matter) – but it’s been a disaster, really, and at this point I kind of wish I’d sold you, or more importantly, myself, on “Age of Apocalypse set in the DC Universe” aka Flashpoint which has been… I don’t know, not good exactly? Momentous? They both have nice art, that is all I’m going to say on art. That is the Art Statement. Mainstream comics are not about art, they’re about commerce. The artists on Fear Itself and Flashpoint really did a good job – but it was the Marvel eds and Johns that built these.
It’s been so bad – whilst also offering glimmers of something that could have been really good, Marvel is my district, really, it always has been in comics, but it’s been so bad that I can feel my Zombie embers burn out as it progresses; I’ve fiended Marvel for a decade, which, whatever, bloggers don’t tend to do (“I’m not you, blogger. I’m not you.”) possibly because they are largely at some level involved in an industry which the company can and has run jackbooted over as it please. And I’m not: you’ll get purely sideline sniping here. So, yeah, I looked at September’s offerings from them and, assuming Mark Waid performs the first-time feat of maintaining my interest in a comic he’s writing past three issues, the art on these is really nice, I’ll get Daredevil, I’ll probably fork out £3.25 for DPMAX2, I’ll definitely get the Elektra:Assassin trade at some indeterminate point and that’s it. (It is necessary to discuss Marvel comics in transactional terms, always). Now, there may be other aspects at play here, I may have taken Alan Moore and his former friend Steve Bissette’s rejoinders to heart, it may be that I am envious of Matt Fraction*, it may be that, given I have a second imminent baby, probably [EDIT: yes] arrived by the time this sees printernet, I’ve decided to rationalise cutting back in all these ways, who knows what my Crowleyan Will hath wrought? But anyway, Fear Itself is coincident with my final days as a Marvel “fan”, it transpires. It’s complicated, I guess; but anyway, anyone who sez: Kirboycotters are all people who weren’t reading Marvel anyway – no, I am yr counterexample. But, you know, do what you like.
By do what you like I mean CLICK HERE to read the rest of this epic in the making!