Botswana Beast: [post-factum editorial note: these were written intermittently on a GoogleDoc, in sections post- the release of Marvel’s 2011 event Fear Itself, I think after issues 4, 6 and 7  were released unto the buying public.]

Right, son, I’mo get my fit-to-print pants on:

Where to start, oh, man; I guess you bought Fear Itself, I was surprised you did because you are a grown-up who buys [LOL interjection] grown-up comics, and you bought it because of how I described it to you at Kapow!? (How much punctuations should I put there? Feels like I should put more) Which was – I dunno – it was in April, so I guess just after the first issue? And I described it as “Final Crisis set in the Marvel Universe” which is… it’s not inaccurate, but, basically the lesson is never, ever listen to me.

Because it’s been – and I know some folk don’t think it inarguable that Final Crisis was a good comic, let alone a great one (I think “you are probably wrong” to these people, not necessarily on a permanent basis, just on that matter) – but it’s been a disaster, really, and at this point I kind of wish I’d sold you, or more importantly, myself, on “Age of Apocalypse set in the DC Universe” aka Flashpoint which has been… I don’t know, not good exactly? Momentous? They both have nice art, that is all I’m going to say on art. That is the Art Statement. Mainstream comics are not about art, they’re about commerce. The artists on Fear Itself and Flashpoint really did a good job – but it was the Marvel eds and Johns that built these.

It’s been so bad – whilst also offering glimmers of something that could have been really good, Marvel is my district, really, it always has been in comics, but it’s been so bad that I can feel my Zombie embers burn out as it progresses; I’ve fiended Marvel for a decade, which, whatever, bloggers don’t tend to do (“I’m not you, blogger. I’m not you.”) possibly because they are largely at some level involved in an industry which the company can and has run jackbooted over as it please. And I’m not: you’ll get purely sideline sniping here. So, yeah, I looked at September’s offerings from them and, assuming Mark Waid performs the first-time feat of maintaining my interest in a comic he’s writing past three issues, the art on these is really nice, I’ll get Daredevil, I’ll probably fork out £3.25 for DPMAX2, I’ll definitely get the Elektra:Assassin trade at some indeterminate point and that’s it. (It is necessary to discuss Marvel comics in transactional terms, always). Now, there may be other aspects at play here, I may have taken Alan Moore and his former friend Steve Bissette’s rejoinders to heart, it may be that I am envious of Matt Fraction*, it may be that, given I have a second imminent baby, probably [EDIT: yes] arrived by the time this sees printernet, I’ve decided to rationalise cutting back in all these ways, who knows what my Crowleyan Will hath wrought? But anyway, Fear Itself is coincident with my final days as a Marvel “fan”, it transpires. It’s complicated, I guess; but anyway, anyone who sez: Kirboycotters are all people who weren’t reading Marvel anyway – no, I am yr counterexample. But, you know, do what you like.

By do what you like I mean CLICK HERE to read the rest of this epic in the making!

The very late review

August 4th, 2009

We’re gonna be doing this every Tuesday from now on, Kids. Capsule reviews in the dying light of the comics week.

Mindless slack is officially over

detective855coverDetective Comics #855
Published by DC Comics
Story – Greg Rucka
Art – J.H. Williams III, Dave Stewart

This time around Batwoman goes toe to toe with Alice, high priestess of crime. In other words, not much happens, but that doesn’t stop this from being one of the richest, most complex superhero reads on the racks. If it were a wine it would would be… well, actually I don’t know anything about wine but it would definitely be red, full bodied and possessed of the jammiest of noses. Williams conjures iconography and atmosphere from the very gutters and, just like the characters, sets them in pitched battle, and it’s a truly marvellous thing to behold. Add to that a well realised and entertaining back-up strip, with just enough story to satisfy, and what you have here is a nigh-on perfect package.

More reviews after the jump