Mindless Ones

PAGE 1: OPENING CREDITS

Question: was it Morrison’s art direction, or was Irving responsible for the decision to construct this scene out of these calming blues?

the sleep of cthulhu, aeons deep.

i’m not sure this is a really straight ahead argument, so much as it is a series of reflections and ruminations, and i’m sorry it’s all in lower case. it’s a bad habit, one of which zom, probably quite rightly, does not approve.

he would want you to know that, i’m sure.

So it goes right back to Morrison’s very first issue, does it?

PAGES 1, 2 & 3

One of the reasons Morrison loves working on Batman, even if he doesn’t know it himself, is because the character’s rapid response time, both intellectually and physically, suits his high velocity, compressed approach. Here, the guy, who I should probably add is experiencing catastrophic memory loss, has been booted thousands of years across time and half drowned, but does that slow him down? No, the fuck. He launches himself into the scrap with the uprooted sarlac pit (more on that guy later) without a second thought.

I’m fairly certain the idea that there’s a connection between Gaelic and Cthulhu-speak/fifth dimensionese isn’t an original one, and I wonder if Grant was thinking about the connection here. Annie is a first generation immigrant after all, and a pagan at that, so it would make sense that she’d speak some kind of aboriginal british tongue. Also, I’m choosing to believe she’s intoning a healing spell, which is interesting and a nice twist because lovecraftian magic is generally considered the blackest of the black. There’s the implicit suggestion that it was only later on, once the puritans were done with it, that the Cthulhu mythos gained the negative associations it has today.

The talismans represent the latest movement of Grant’s superheroes as gods theme, but because this is Batman there’s a hard(ish) sf explanation as opposed to the more fantastical noodlings of Flex Mentallo or ASS. They are pregnant with the idea, however, what with the DC pantheon zipping around the timestream like they’re popping down the shops or something, that should she clutch his sigil hard enough and whisper his name, even a slave in ancient Rome could summon Superman to her aid. Some future Superman I’m going to write in the future will definitely have this omni-hearing, that’s for sho’.

Amy beyond the end of time continues after the jump

What’s going on with the stone age?

(This is all Amy’s thought-parade, except where otherwise stated)

Step into time for a vision of reality (the batual facts of)

Trump Taraaaaah!, but no annocommentations from me this time, sorry, but I have sussed out the identity of Dr Hurt. Read on…

Here and in the comments, we got the shit ain’t no-one else got. Read on!

Annocomment is free after the jump

Let’s annocommentate!

PAGE 1

PANEL 1

Amy: ‘What is it with these Crime Coven people and their obsession with stories for kids?’ What is it indeed? Perhaps it has something to do with the rogue logic of fairytales and nursery rhymes, their criminal physics? Alice in Wonderland as topology, a map of a world overturned, where reason and meaning begin their steady descent into the abyss, Cole’s ‘hole in everything’.

Fairytales also speak to our primal condition, a preverbal world of gods and nightmares. Maybe the Crime Covens see their work as an attempt to return mankind to a purer state, unrestrained by ego and superego, culture, law and society.

Shit, they sound pretty cool, don’t they?

Oh, whose side are we all on?

Click for more! more? MOAR?!?

We’ve come a long way since this massively offensive ad….