Mindless Ones

HELLO? IS ANYBODY HOME? WELL YOU DON’T KNOW ME, BUT I KNOW YOU.

Please Disembodied Narratorbot X-15735 don’t hurt ’em! Sorry fleshy ones I cannot promise this. Let’s just say that for the duration of this blurb I promise not to burn out your retinas or strip-mine your DNA. ‘Kay? Kay.

So everyone put down your pens/phones/rail guns and point your ears towards the internet, and listen to those animal men Gary Lactus and The Beast Must Die,  as we circle the drain that is…SILENCE!

<ITEM> The SILENCE! News has some VERY SERIOUS matters of which you need to pay attention – the future of SILENCE! depends on it. With those greasy capitalist hams Gary Lactenberg & Danny Beastman.

<ITEM> Full fathom five, as we plunge neck, teeth and hips first into the Reviewniverse as the pair tackle Timewarp, East of West, Age of Ultron, BPRD: Vampire, Batman Inc, FF, Wolverine & The X-Men, Uncanny Avengers, Young Avengers, Fury, Guardians Of The Galaxy, Hawkman, Crossed: Badlands, Fatale and Mr X. With added digressions over the M-Word, VHS Rental shops and Lucio Fulci.

<ITEM> Well isn’t that a treat fleshy ones? Aren’t you glad you stopped looking at pornography to read this? (Personally Disembodied Narratorbot X-15735 finds the sight of meatsacks bashing against each other immensely settling. The sensual curve of a sine wave is far more erotic. Or a ZX-Spectrum in suspenders.

click to download SILENCE!#56 .

SILENCE! is proudly sponsored by the two greatest comics shops on the planet, DAVE’S COMICS of Brighton and GOSH COMICS of London.

Here’s a brand new Cindy & Biscuit strip for you. I’m doing these on a semi-regular basis here on Mindless Ones. Check them out here.

Also, don’t forget to get yourself a copy of the brand new 56 page  Cindy & Biscuit no.3 from my shop at Milk The Cat. You can pick up my other comics while you’re there.

Eric Saward hasn’t received a lot of love in these essays so far, but in the last full series he script-edited, Colin Baker’s first, he finally found a coherent aesthetic vision for Doctor Who. Whereas previously he’d been content to throw in as much violence and references to old stories as he could, by this point he had been converted to The Church Of Bob Holmes, and had come up with a semi-formula for the show that worked in the three stories that year where he could try it — comic double acts, vicious black humour, and a smattering of post-modernism with characters commenting metafictionally on the action. The fact that new companion Peri’s catchphrase became “all of these corridors look alike to me” gives a hint of the way Saward’s thoughts were trending.

Vengeance On Varos is the story where this style is taken to its ultimate extreme, and is by far the best Doctor Who story of the 1980s