Rogue’s Review: Thunderwing

September 23rd, 2011

Awright troops, Illogical Volume here, with a bit of fine
imported basterdry for ye!

Like another recent guest post, this one started with a tweet from Bostwana Beast.

I’m not sure that aka the Original Eyeball intended to start a fight here, but he should’ve known no tae challenge a proper weegie baistart like my pal Scott McAllister, aka Mr Attack, aka The Boy Fae the Heed, because a man like Scott disnae back down fae fuck aww.

Well, at least not when there are Transformers involved. Anyway, that’s enough of my pish. Here’s what the lad Scott had to say about Thunderwing:

It’s another day at the office in Marvel UK in the late 1980’s. Creative license tells me that at this point in history, it would be dark all the time, and it would be raining. A package has been couriered over from Hasbro, and contains the latest information on new products that must be featured in future issues of Transformers. By this point, the engineering has gotten less interesting, and the toys can be changed in about two or three moves. Quite often these days, they are accompanied by a humanoid shell to contain them in, like a a sarcophagus with arms that can only rotate at the shoulders. A quick glance of the villains line-up reveals it looking more and more like the cover to an Iron Maiden single.

On top of that, with Budiansky departing the American book, it seems the personalities of the toys have fallen into the doldrums, with each character little amounting to endless variations of “he is so bad, so very, very bad”, “he is soooooo good it hurts”, “he is evil because he is mental and robots don’t do meds” or “he’s sort of a good guy, but if we’re honest he’s a bit of a wank”.

Now, if you’re one of the cartoon writers, you stare into the mirror, remind yourself you’re too good for this shit and that you’re only in it for the money, so you recycle the plot of some other show you wrote, and have the new villain you’ve been requested to début elect to secretly build some giant weather-controlling device, or hypnosis booth or some shite, and have him turn up at the end as the mastermind of it all, to get his ass kicked.

But, you’re not one of those guys. You are Simon Furman. Simon Furman only has one question in his head EVER. “How can I make this guy interesting so that he’ll be remembered long after I kill him to bits?”.

Wanna see a masterclass in how to make people give a fuck? Then click on dear readers, click on!

Transformers: Toy Stories

July 4th, 2011

There are many, many reasons why I might be considered an idiot, but if you were going to make a list – and believe me, I’ve made a few such lists in my time – then I’ve got a fair idea of what the top three should look like.

I’ll spare you numbers one and two for now, but number three is easy. You see, I must be an idiot, because I don’t think I understood mortality until I watched Transformers: The Movie for the first time. Yeah, Transformers, “robots in disguise” that turned into planes and cars and tanks, and had their own crappy TV show. That was where my first intimation of mortality came from. Told you I was an idiot.

The realisation that all of this would one day stop had never sunk in at Sunday School, where the focus was more on old stories than on the possible absence of narrative. It hadn’t made any impression on me when various distant relatives had died – they had seemed like minor characters in my story, and their deaths didn’t truly register with me at the time. It didn’t even really occur to me in the early parts of Transformers: The Movie, despite the fact that whole planets were being destroyed and beloved characters were being gunned down like so many extras (with all weapons having been switched from tickle to mangle between TV series and movie, naturally). But OPTIMUS FUCKING PRIME, my favourite toy and childhood hero, dying on-screen, in an astonishingly drawn out manner? Yeah, I felt that, and it scared the living shit out of me.

See, here? One day your sentence will be up. Full stop. Story over. The end.

Don’t worry, we’ll get to Simon Furman in a minute!

primesullivan

The Marvel UK Transformers comic occupied a special part of my young heart for a fair while back in the 80’s (I often think all boys of a certain era were actually built with a small Transformers shaped compartment in their heart) The weekly adventures of the Robots in Disguise came somewhere between Battle Action Force (UK GI Joe to you colonials) and 2000ad. What could have been a shonky toy cash in title had a unique flavour all of it’s own, mainly thanks to the stalwart work done by premier Trans-scriber Simon Furman. Under his guidance the Transformers mythos grew into something rich and strange. And violent. Very very violent… Alongside such Brit comics luminaries such as John Wagner and Pat Mills, Furman was one of the most prolific writers of the 80’s carving out a niche writing for Marvel UK, taking the Transformers mythos and running with it. Once the animated movie was released the strip really hit it’s stride, with the addition of Galvatron, Cyclonus and Scourge and the rest of the 2006 mob. Not to mention a certain freelance peace-keeping agent…yes?

Along with Transformers, Furman also created the wonderful robot bounty hunter Death’s Head, as well as the super violent futuristic sports mercenaries Dragon’s Claws. For a while Marvel UK became a hotbed of fun new comics that provided a well of young British comics talent the chance to cut loose.

Soon after Furman started working in American comics for Marvel, IDW, Dreamwave and Dynamite. He has also worked in animation, computer games and continues to write Transformers to this day. An extremely personable chap, with an extensive knowledge of exploitation movies, Simon kindly agreed to do a Mindless interview. Read on…yes?

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