Mindless Ones

A weekly strip by Fraser Geesin

SUPER BIG POSTER SIZED CUT OUT ‘N’ KEEP GIVEAWAY SPECIAL!

The book Dream Date by Tim Leopard and Fraser Geesin is available from Running Water Press or from Amazon.

Yeah we got fuck all this week actually, real life in all it grossness and glory, weddings and kidney stones, have kind of got in the way. You know how sometimes you go into a record shop and your mind goes blank, you completely forget what kind of music you like, and end up lookng at Jam best ofs? The internet’s a bit like that sometimes.

• So just Youtube links from me this week: This is the kind of great after-dinner jape that the JLA provide.
• From the fat bag of slime department. When my wife was pregnant, she got quite ill, almost housebound. Steve was playing with his band in the next town over, so I emailed and asked if he’d like to pop in for tea, play his guitar, cheer her up a bit. Fucker’s agent emailed back, said I could have a signed photo if I gave him $12.
• You know how Youtube comments are the best reason for not teaching people how to write? Not always, the ones here are ‘fine’.  (b)

Check out my blog. That’s an order! And look through the Terminus archives. OK?

I used to have a friend who would perform his own peculiar brand of dance: DANCE FIGHTING

EXTREME RUBBISH!

I’ll let you in on a secret.

Every time a Geoff Jeans’ (his new name*) mega-event comes around, I know, just know, that this time, forget all the other times, I’m going to enjoy it. See, I understand the allure of holidaying in the DCU. There’s all those superpeople with all their superpowers, the tangled web of all those relationships and history. There’s The supernatural, outer-space, the far future… It sounds great on paper doesn’t it? Well that’s just it, IT’S NOT GREAT ON PAPER. IT’S SHIT ON PAPER.

Find out why after the jump

A weekly strip by Fraser Geesin

The book Dream Date by Tim Leopard and Fraser Geesin is available from Running Water Press or from Amazon.

• Oh I know he doesn’ t need any more praise but Bryan Lee O’malley’s Scott Pilgrim site rocks as hard as  do all things SP related. You’ve gotta admire the fact that he’s turned himself into a one man franchise without sacrificing any ofthe comics inherent yumminess. If you haven’t read SP yet I presume you have no eyes, in which case you can’t read this which means you can’t see me sticking my fingers up at you. (tbmd)

• I’ve really been enjoying Hip Hop Isn’t Dead recently. Max’s dedication to slogging through the entire Wu-related back catalogue is particularly rewarding (see: U-God and Cappadonna aka The Cab Driver). I don’t agree with him a lot of the time, but it’s a good site from a man with generally excellent taste in Hip Hop.  (tbmd)

• Bit of a 2000AD flavour to my online reading this week – starting with Garth Ennis’ first contribution to Rich Johnson’s Bleeding Cool, When 2000AD was the Future. It’s an unabashedly nostalgic birthday tribute to the Galaxy’s Greatest, and although it feels a bit hacked-out, if you don’t get a lump in the throat or pants upon reading his list of standout moments, then, brother, you must have no pants. It’s also interesting for several other reasons – Bleeding Cool has been a bit of lame replacement for the much-missed Lying in the Gutters, having somehow managed to bring out a heretofore unimagined boring streak in Warren Ellis’ online columns, so if it’s giving us regular bulletins from Ennis now (the first time he’ll have done this kind of regular editorialising since, what, the Preacher letters page?) then all to the good. Secondly, funny to note the unfortunate truism ‘2000AD was better when I were a lad’ can be heard coming from even the most level headed industry professionals. Thirdly,  the revealing detail that Ennis does not count 2000AD as a significant influence on his career-best Punisher MAX run, although he does with nearly all of his other, far less essential US work. And finally, the general public acknowledgement of the debt he owes to Tharg, which will seem ironic to anyone who read Wagner’s Dredd story last week and noticed how much Jay Doubleyou appears to have been reciprocally influenced by Ennis in recent years. Five pages of unbelievable tension and gravitas balanced effortlessly across three simultaneous scenes, no action but lots of quiet political violence, in an episode of sheer comics storytelling perfection that displays the kind of tough yet elegant narrative engineering that Ennis has lately made his own.

• This has been up for ages but I’ve only just stumbled across it: Cradlegrave, John Smith and Edmund Bagwell’s recently-concluded tale of alien body-horror and kitchen-sink drama on a Northern housing estate is being hailed by some Squaxx as the best story The Mighty One has put out since Halo Jones. A full Mindless report to follow soon, but in a rare move the excellent 2000AD Review site has put Smith’s script for an entire episode up for your perusal. Bloody brilliant.

• Further happy proof that the world you live in is becoming more like Judge Joseph Dredd’s every day! (b)

• Look, 5 posts for the price of one! Andrew Hickey’s hyperpost continues apace. The topics, which he’s attacking from multiple and diverse angles, are canon and continuity and other stuff that concerns those of us of a fannish bent. So far Andrew’s posts have focussed on Morrison’s concept of Hypertime, Cerebus via Oscar Wilde (or should that be the other way round?), and an ‘imaginary’ (in the Alan Moore sense) Dr Who audio story which doesn’t feature too much Dr Who but does feature a dying man. This kind of multi-pronged oblique criticism is exactly the kind of thing we try to do round here, and exactly what Andrew Rilstone did so fantastically in his recent fanzine Who Sent the Sentinels?. Looking forward to seeing what else Andrew can come up with.

• Ah, its been ages since we’ve given some love to the boys at Funnybook Babylon. If you don’t listen to their podcasts you really should as they’re some of best pop-critics out there, and really don’t get the credit they deserve nearly often enough. The standout moment in the latest edition has to be Chris Ekert’s disembowelling of Ultimatum – to call it criticism would be to give Loeb’s writing too much credit, but it sure is funny as shit.

Phonogram Book 2: The Singles Club #4, by Keiron Gillen, Jamie McKelvie and Matthew Wilson

Not, by the way, going to allow this review to be coloured by how annoying those Pipettes at the next table in the cafe on Saturday were. Didn’t really notice myself, to be honest, I was wrapped up thoroughly in my weekly dose of Wednesday wonder (it’s the comic it’s OK to read in public! Best Aquaman ever!), but when I looked up my betrothed had her homicide face on, filled me in on the details later. One Pipette telling off another Pipette for not being Pipettey enough. Read: first rule of Pipette club – do not be a better singer than lead Pipette. Another line-up change on the horizon? How 2006.

Which I think is big of me