Part 1 here

Back to this, then.

Maybe I was too hard on Geofferson Aerojohns in my first post. Maybe “Bollocks” was an appropriate response to a room covered in blood and the stink of the supernatural. Bollocks might often carry with it a low level sense of levity, but then John Constantine has had to weather some pretty terrible things in his time. Things worse than a few pints of the red stuff and a black magic chaser. Perhaps, for Constantine, a bit of sardonic humour helps him manage his emotions. Perhaps he just doesn’t respond to scenes of hideous violence in the way that you and I would, his emotional responses deadened after one too many trips to Hell.

What is magic, treacle? Find out over the jump

Comics creators, headsup!

For its fifth year, The Observer/Cape/Comica Graphic Short Story Prize has just been announced, inviting UK residents to submit a four-page comic on any theme, with the winner receiving £1,000 (the runner-up £250) and getting their story published in The Observer Review and on the Guardian and Vintage websites. This prize has really galvanised the creative comics scene in this country, stimulating more people to try their hand at sequential art to express themselves. It has also led to several fresh British voices having their debut graphic novels published by Jonathan Cape.

Regular jury members Observer literary critic Rachel Cooke, Random House Creative Director Suzanne Dean, Cape publisher Dan Franklin, and Paul Gravett, Comica Festival director, are joined this year by the pioneer of UK graphic novels Bryan Talbot, of Luther Arkwright, Alice In Sunderland and Grandville fame, and David Nicholls, acclaimed author of One Day and a writer for film, television and theatre.

For more information visit the Comica website