And the dead will rise: Cloak & Dagger meet disco horror part 1
March 31st, 2008
We might be mindless monstrosities from the underverse, but like all geeks we’re convinced we know how comics should be written. We’re just self-involved and dumb that way. Hence this column, which I strongly suspect will be a staple of the blog for a long time to come. Blessed are you, the reader.
Now then, Disco…
Horror
What’s disco horror?
A hall of mirrors I: useless taxonomy
March 31st, 2008
So. Mindless Ones is good name for a comic blog, isn’t it? (I didn’t come up with it.) Conjures the notion of a ravening* horde, slavering* devotion to Dormammu, the Dark One, battling NeilAlieN on some etheric plateau adrift in this noosphere. Perhaps that’s exactly what we are. Perhaps we really are just that.
*Having no mouths to eat, only hands to type, I’m not so very sure a Mindless One such as I really can raven“? I can surely slaver, though.
Anyway, enough bullshit. I came here today to talk about the entire history of superhero comics because, well, better to start big and THEN drift into meandering personal vendettas and general self-loathing with a little credit hopefully in the bag, you know? Oh, and the love. Of the thing. Because they’re important to me, no matter how – generally, if the internet is to be believed – repugnant the fandom (like, whenever there’s a fan ‘outcry’, I’m like, “good”; I love seeing these risible chuds bathing their innards in acid,) how venal the publishers, how dubious the sexual and racial politics… there’s a massive iconic energy these things harness, or can harness, thousands of cultural, thematic and generic worlds they (can) straddle in bright, tight trouserpants and they’re just. my. favourites.