Patterns of a Diamond Ceiling #2: Ab-Soul, Abstract, A$$hole…
March 5th, 2014
Having spent 2011 and 2012 listening to so much new, free hip-hop that I almost lost track of who I was and where I laid my head (in case you were wondering: a man who writes about comics on the internet; Glasgow), I made a decision early at the start of 2013 to cut back a bit. While this means that someone like the Bottie Beast is probably better placed to give you an overview of what’s going on with hip-hop right at this point in 2014, it also means that I’ve had a decent amount of time to really dig into the albums and songs I did check out over the past few years.
With an album like Ab-Soul’s Control System, it’s just as well that I had time to spare because otherwise I might not have got my head around how good it really is.
As the member of the Black Hippy crew who does the most to live up to the back half of that description, Ab-Soul risks being obscured by some of the more traditionally appealing rappers in his posse. Schoolboy Q’s perfectly titled Habits and Contradictions provided an early warning that the current era was going to belong to the TDE crew, and Kendrick Lamar’s good kid, m.A.A.d. city received so much praise that it kicked off a discussion about what rap fans mean when they label something a classic.
Still, now that the smoke has started to clear – well, shit, as I type this Q’s Oxymoron is currently setting fire to my speakers but let’s deal with that in a separate post – it’s Control System that’s stayed with me. Ab’s too stoned and too subtle to make an album full of straight bangers, but there’s something about the raw fluidity of his rhymes that just gets to me. The way he can get stuck on a series of punishing homonyms for most of a verse before switching his flow up to effortlessly hit series of breathlessly off-kilter punchlines suggests the movement of a mind that’s still in the process of making itself up. This sits in stark-contrast to Lamar’s ever-more impressive verbal gymnastics: the power of good kid, m.A.A.d. city lies in the fact that it always seems like Kendrick knows what he’s doing, while the genius of Control System is that it makes you feel like you’re thinking these thoughts for the first time every time.
The cracks in Ab-Soul’s voice have as much to do with this as words he’s speaking.