Rogue’s review: Nick O’Teen
September 28th, 2009
While flicking through the pages of Batman Year One in an effort to research my Batcave essay I paused, as I am want to do, on the pages where Bruce Wayne ventures into Gotham’s red light district. I feel now, as I have long felt, that I know those city streets: The neon gloom, the amphetamine air, the gaze of eyes it’s better not to catch. Coincidentally I’d recently listened to a show on Radio 4, presented by Suggs, on the history of London’s Soho and had been taken back to the early 80s and my visits to my Mother’s office, a television production company that specialised in music videos, that nestled on the edge of London’s red light district. I dreaded the inevitable few minutes spent under the glare of an arcade or sex shop waiting for a taxi or one of my Mum’s friends while the shadows of an adult world fell around me. Even behind the office walls I didn’t feel safe. Sometimes I overheard secretaries whispering about their sex lives thinking they were out of earshot or that the kid wouldn’t understand (I didn’t, but not in the way they thought). Then there were the alien artifacts that littered the rooms and staircases, the posters of rock concerts and the modern artworks that throbbed with a strange potential energy. But worst of all were the giggling men, who once or twice or perhaps more I can’t remember, offered me cocaine and cigarettes.
