Mindless Ones

Because we are nothing if not enthusiasts for ritual, the Mindless Ones will be at Thought Bubble 2024 in Harrogate this weekend. We’ll be at tables B3-4 in DSTLRY Hall on Saturday 16th and Sunday 17th November, trading gnomic wisdom for earthy security.

A living totem of a masculinity untroubled by hate, Dan Cox has been a fixture of the Mindless Ones table for many years now. His stimulating musk and warm embrace have kept us going through some brutal hangovers over the years, and his comics might just get you through the dark of the year if you’re lucky.

We’ve interviewed Dan alongside his Hitsville UK collaborator John Riordan at least twice previously, and I’ve written at length about Hitsville at length here. If that last sentence seems familiar, that’s probably because I used a version of it while hyping up John’s work yesterday.

But enough of the past! What will Dan have with him this year?

As the author of two (excellent) Pocket Chillers it pains me to admit that “Jeff” is the best in the series, but who could argue with “Jeff” after meeting it in the street? A collaboration with the mighty Fraser Geesin, “Jeff” agitates the reader’s imagination by carefully controlling what they see, prompting them to ask why the fuck everyone else in the story is reacting like that. Geesin’s mastery of character acting makes sure that Cox’s ingenious concept feels plausible, like something that might just keep going in your own room when you put the comic down – trust me, once you read the thing, there will be no thought more horrible.

Described by Cox as “an experimental zine,” Weird Kids Like McCoy doesn’t have a lot in common with “Jeff” on first glance. “‘You’re trapped in a horrible house, a terrible relationship, an awful job. Maybe remembering the comics you liked as a kid will help” – this prompt calls to mind comics in the vein of Enigma and Flex Mentallo, and the Weird Kids itself makes good on that promise, but this is no retread of past metafictions. A close reading of the book will reveal a layer of formal play subtly in line with the techniques of “Jeff”, further marking out Cox as one of the most exciting and experimental comics makers around at the moment.

Rounding out Cox’s offerings will be some classy tote bags, and free material from “Pagans Against AI“.

On a table full of such aggrieved, conversational and idiosyncratic works, I can’t think of anything more fitting.