EXHIBITOR 7 – ANDREW HICKEY
November 9th, 2020
Andrew Hickey aka Andre Whickey is a demon. We say this with love but also out of a deep, almost spiritual sense of terror. Many times we have conversed with Andre in these very halls, only to discover that he has somehow managed to write 10,000 words outlining a previously unconsidered connection between Charles Mingus and Jack Kirby in between fistfuls of sugared almond.
Andrew Hickey is a demon, but when he wears his human face he looks a bit like this:
Don’t let our dire warnings or Mr Hickey’s tendency for self-deprecation put you off, though. All of Andrew’s books are worthwhile, and you can find out what he has to say about them by scanning past his lovely face and reading on!
I’m Andrew Hickey, and if you’ve visited our table at non-virtual Thought Bubble, I’m the one with the biggest beard, who sits there nearly all the time while the others go about doing stuff and talking to people and so on.
Unlike the others, I have not created any comics you can buy, though I am now on my tenth year in a row of saying “I really need to get my own comic made for this year’s Thought Bubble” and then remembering I can’t draw even a little bit. I do have other stuff you can buy, though — mostly books. I’ve written novels, short stories, and books on pop culture like music, TV, and comics. If you’re looking for my books about comics, they can be found, along with my other self-published books, right here — the ones you want are An Incomprehensible Condition and Welcome to the Multiverse, both of which are about Grant Morrison comics, and maybe Sci-Ence! Justice Leak!, which is about all sorts of other things as well as comics.
(Please note, the books about Morrison were written before their recent coming out as non-binary, and so use the wrong pronouns for them.)
While you’re there, you can also find my books on music, on Doctor Who, and other such things.
Another place you can find my writing is at Obverse Books, where you can find my first novel, Head of State, which is part of the Doctor Who spinoff series Faction Paradox, plus books I’ve written on the Doctor Who story “The Mind Robber” and the 1960 TV series The Strange World of Gurney Slade. I also contributed short stories to a few other books from Obverse.
But like every white man with a beard, I am legally obliged to have a podcast as well. Mine is called A History of Rock Music in 500 Songs, and does what it says — goes through five hundred songs, starting in 1938 and ending in 2000, to tell the story of rock and roll. So farI’m up to episode 103, and 1962. The podcast, unlike the books, is free, and people seem to like it.
I also used to make music myself, in a band called The National Pep. We’re hoping to make more music next year, but the old music can be found at thenationalpep.bandcamp.com/releases if you like that sort of thing
And finally, it’s been far too long since I’ve done any comic blogging, but I’ve written a lot of stuff for this very site over the years, and plan to start up again soon. You can find what I’ve written (including two big projects I started but left abandoned in 2018 when a few things went horribly wrong in my life, and which I plan to start up again one day) by clicking here.
Doctor Who: Fifty Stories For Fifty Years — 2012… and the next fifty years
November 23rd, 2013
Before the last of these essays, a little bit of other stuff…
This post is going to go live at precisely midnight — at which point it will be the fiftieth anniversary of Doctor Who, and so this is the last of the fifty stories essays.
Enough people said they would want a book of this that I’ve put one together, and that is also available from midnight tonight. You can buy it as a paperback, hardback, Kindle ebook (US) (UK), or non-Kindle ebook (with no DRM on the ebooks). And for those of you who visit us at Thought Bubble, you can buy a paperback copy off me personally.
But don’t worry if you’re too poor to buy one, or you just don’t like me and don’t want me to have money — the essays are essentially the same as they were when published here, but without the dodgy screencaps, and with quite a bit of copy-editing and fact-checking. You can still read the original versions here for free.
But anyway, here’s the last essay