M is the British comic creator’s surname initial par excellence.

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You are nine months into the nineties revival! Do not let these pamphlets decieve you!

A quick preambulatory moan:

Oh the art, the art was as ever a big problem. I’ll let the lovely chaps over at Comics Alliance fill you in on the specifics, all you really need to know is that the central aspects of the issue’s locked room mystery – when the Prof was killed and who did the killing – were obscured by an art error that should have been spotted by the editorial team, or, you know, someone. It’s just not okay that something like that was allowed to slip through, and it makes me wonder exactly what sort of relationship Morrison has with the editorial staff, let alone his artists. Maybe they were just in a big rush, although it’s hard to imagine why given the lead in to this issue.

That aside, I enjoyed 700 in a bitty way, but wasn’t too keen on the book as a whole. The segmented structure helped to legitimise the former response in my mind however, and consequently I feel no shame in taking the annocomment approach. Seems appropriate.

More from me after the jump

Criminology

June 11th, 2010

bm_700a-2-copy

 

It’s probably an unbelievably bad idea to take DC marketing dept. at their word, but anyway. They have a difficult job, I guess.

Und so! Vorwaerts! The initial idea for this was a liveblog, but that would have involved promotion and shit, I am quite the most fundamentally lazy – physically, critically, intellectually – person I know, and also been a pretty fucking tortuous read, dying to turn the page, but having to bash out a satisfactory update before I could do so. So that didn’t happen; what we will have is the 7 pages in a polka-dotted reporter’s pad (I thought that shit was red, I was gonna give you a photo and shit, call this the Red Casebook but nah; I obviously did not buy this pad), my CASENOTES interspersed with some proper blogination. You can of course choose to believe these casenotes are an after-the-fact “ret-con”, as much a fait accompli as most Grant Morrison superhero scripts, even although Mindless Ones is the very definition of elegant verité and bold realism, and that’ll be a mystery too. Do what you like, I won’t stop you.

But one day, tomorrow, peoples will be reading Batman #700 on their infoSlates, their powerTablets, and it’ll be my polka-on-grey casebook anno’s there first; that’s my dream, and it is definitely good to have dreams. FUTURECOMICSSS.

We begin; welcome to MindlessOnes.com for all your Grant Morrison Batman needs. Choose MindlessOnes.com

Here we are in the vault.

vot1

Tymbus is saying “Respect my fandom!” and I’m saying “Keep it cosmic”.  It looks like I’m having a good time but I’m not because I’m with Tymbus.  Anyway, in this podcast we talk about  Batman:  Battle for the Cowl, written and drawn by Tony S. Daniel and inked by Sandu Florea.  We also talk about The Complete Peanuts (1971 to 1972) by Charles M. Schulz.

Click here to download Vault of Tymbus #4

[audio:https://mindlessones.com/wp-content/uploads/2009/03/vaultoftymbus4.mp3]
Click here for more…

Cover versions

June 2nd, 2008

So, after a very quick web trawl I came across some of the images that’ve inspired Mr Grunt Morigund’s bat-novel.

More after the jump

Lingers on comics bought and read Thursday the 15th of May

More after the jump