November 27th, 2013
Jupiter’s Legacy #1-3, by Marky “Mark” Millar, Frank Quitely and Pete Doherty
Forgive me for the somewhat less than timely review, but fuck me – three issues in this is still a startlingly uninteresting book, from pig (Millar) to lipstick (Quitely) and beyond (???).
It should go without saying that this response is merely a product of the reaction between the lines on the page and those etched into my long-suffering brain, but that in no way makes this a good or even halfway entertaining comic. So while it’s true that both Millar and Quitely have thwarted all expectations here by failing to irritate and innovate respectively, the only real problem experience poses for Jupiter’s Chegacy is that a lifetime of reading and watching stories will train you to spot a tired duffer like this miles off.
Familiarity itself isn’t the issue here, per se: the old power/responsibility theme could easily survive yet another regeneration, and there’s no reason why a story about the famous children of rich superheroes couldn’t be made timely and interesting. It’s the old world vs. the new, the people who made the world vs. those who have to limit in it, and surely that’s an easy sell in this post moneygeddon landscape? The problem, at least so far as this cynical critic is concerned, is more that no one involved in this comic seems particularly interested in how they’re saying anything:
Page after page of dialogue mounts up to little effect, with passionate arguments sitting on the page like undeveloped notes from the plot breakdown, lacking either the vanity of realism or the courage of true artifice. This is a comic full of gestures, which would be forgivable if we were dealing with the mangled mitts and marvelous manifestations of Ditko-era Doctor Strange. Instead, Jupiter’s Children nods absently towards a half-busy suburban street in the daylight, hoping that you’ll find something interesting there and mistake dumb luck for careful planning.