July 22nd, 2016
No Regular SILENCE! this week. We were all too stunned by the news that Rita Ora will be replacing Tyra Banks on America’s Next Top Model. Surely Rita can’t reach the preposterous heights of self importance that Tyra managed. I guess we’ll just have to wait and see.
Instead we have the first SILENCE! Prestige Format, the special collector’s edition podcasts which was made available to C Unit Patreontologists back in January of this year. This is a nice chat between The Beast Must Die, Gary Lactus and Clark Burscough.
Named after the last son of Krypton, Clark is the assistant director of the Thought Bubble. We talk about many things including the broken reading experience,
The Amalgam Universe, his origins as a comics reader and Thought Bubble via the dad we all want, Invisibles, Grant Morrison, Marvel’s Doctor Who comics, 2000AD comics, comics comics, comics comics comics, the Thought Bubble party, his own writing for the Regular Show comic and Beef Ho Fun amongst many other things.
Do please enjoy.
November 20th, 2015
I might have come away from the Thought Bubble comics convention with a terrible hangover and an overwhelming desire to have a proper rummage through the back issue bins, but I can’t say that I came back short of good zines, great comics and better memories.
Here are five of the most exciting books I picked up last weekend…
1. Jonathan Chandler – Another Blue World (Breakdown Press, 2015)
At last Saturday’s SILENCE! x Breakdown Press interview panel, Jonathan Chandler was discussed as an artist who had staked out territory similar to that which Brian Chippendale had occupied but who had got there before it became a trendy holiday destination for art house cartoonists.
I’m not familiar enough with the man’s work to debate these claims, but reading Another Blue World what struck me was how important Chandler’s elusive sense of space is to communicating this particular set of hostile environments:
It’s not so much that Chandler is limiting what the reader can see to a few tufts of grass or a short stretch of water around his characters that makes his work stand out, more that he seemingly feels no pressure to fill up blank space on the page.
In a Brian Chippendale comic we might find ourselves feeling overwhelmed by the amount of detail, struggling to distinguish signal from noise whether we’re faced with the tiny cramped panels of Maggots or the wider canvases of If’n Oof or Ninja. In Prison Pit we are confronted blocky horror after blocky horror, but we know that this grim escalation will follow proceed through the sort of absurd escalations that are Johnny Ryan’s speciality.
Reading Chandler’s work, meanwhile, we are confronted with an eerie silence. All around us, we find unreadable white space, all of it primed with danger. Forms approach, assaults are perpetrated, sex is weaponised, but we can never be sure whether things are going to get worse or just sort of hang there:
I might crave for something beyond this harsh replication of animalistic imperatives, but there’s no denying that Another Blue World makes them painfully vivid.
November 15th, 2015
Living legend David Wynne has commissioned me to write 500 words on this topic. Last night in the pub he teased me with the idea that I was going to be tasked to write 500 words on Frank Miller: Feminist Icon.
Having worked out my pitch for that one in the shower this morning (it’s actually really easy to read his work as an extended deconstruction of chauvinist tropes… so long as you just DON’T LOOK AT THE WOMEN IN HIS COMICS and only pay attention to the men – not an approach that’s conducive to feminist values, hence why this reading of Frank Miller is unlikely to catch on anytime soon) I now find myself face with a far more daunting task.
Five hundred words on “Hard Men with Big Truncheons: The Sexual Politics of Mega-City One”. I mean seriously: what can you say about this subject? What can’t you say?