Greetings Mr Graham. You were due to be interviewed by The Beast Must Die, but sadly he is too busy travelling the globe as an international podcasting megastar with his good friend/mortal enemy Gary Lactus. Therefore you will instead be strapped into the Quizzlertron, and be interviewed by Disembodied Narratorbot X-15735. Expect no fleshy soft peddling and ego-stroking – Disembodied Narratorbot X-15735 is hard-hitting interviewer. Expect Frost/Nixon style hardball, human! Be warned –any deviation from the truth will result in severe electric shocks to the balls, nipples and brain. You have been warned fleshy one. Now on with interview good times, yes sir!

Section 1: Secret Origin

1) First question, simple. Or is it hard? YOU DECIDE FLESHY ONE. Why comics?

BG – It was a decision that I made before I remember making it. My mom says that when I was Seven I announced that I was going to do comics for a living. Past that incredibly well thought out life choice comics has been amazingly rewarding, there’s so much that can be done when you consider what’s possible in mixing words and images and how much of it is still so untapped. My big fear is not doing nearly as much as could be done with it. I feel like I’m on a comic book continent and I’ve just explored the coast but behind me is miles and miles of untapped mysteries. Tell me Disembodied Narratorbot X-15735, have you ever really loved a woman? You’ve got to know her deep inside hear her every thought see every dream and give her wings if she wants to fly…

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Aggregator aggravator

August 13th, 2009

dr-strange-screenplay

  • Sean Witzke recently wrote a piece on this, a Dr Strange screenplay written by the odd couple paring of Stan Lee and Alex Cox. For those of you who don’t know, Cox is about as idiosyncratic a creator as cinema has ever seen, known for dirty, profoundly unconventional films like Repo Man, and Walker (director), and his screenplay for Fear and Loathing in Las Vegas, and as such is about the unlikeliest candidate for this gig that I can imagine, and yet somehow someone somewhere thought that it might just work. Personally I would love to see what Cox could have done with this material – at worst his weird-ass synthetic approach to storytelling would have produced something very interesting indeed, and at best, well, who knows? What’s for certain is that it wouldn’t look much like the deeply conventional blockbuster pap that we’re served up today. (z)

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