Steven Moffat once said of Doctor Who that it “was a great idea that happened to the wrong people”. Some might think that this says more about Moffat than about Who (in my experience writers who think of ideas as ‘happening’ to other writers, rather than being produced by those other writers, tend not to have very many ideas of their own) but in some cases one can see what he means. The Three Doctors, and in general all the work of writers Bob Baker and Dave Martin, tends to be a case in point.

"You know how to play the recorder, don't you, Jo? You just put your lips together and blow"

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We’ll stop at nothing, you see. All the suffering and the death and the pain in your world is entertainment for us. Why does blood and torture and anguish still excite us?

We thought that by making your world more violent we would make it more “realistic,” more “adult.” God help us if that’s what it means.

Maybe, for once, we could try to be kind.
(Grant Morrison, Animal Man #26)

TALES FROM THE MILLARDROME, PART 1: Having spent a fair bit of time ripping the pish out of Marky “Mark” Millar while writing up my Kapow! experience, and having then heckled my way through a twitter argument about Mark Millar’s collaborations with Frank Quitely on The Authority, I felt an odd sense of duty to reread Millar’s breakthrough comic, to see if it still worked.

And you know what? Turns out Millar’s first story, ‘The Nativity’, is still really fucking good:

Find out why after the cut!!!



Grant Morrison loves the Flash. That’s a fact. In fact it’s a Flash Fact.

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