April 16th, 2012
Being: the second in a series of posts about John Smith and Edmund Bagwell’s top British horror comic Cradlegrave.
If you’re going to talk about Cradlegrave, you’ve pretty much got to face up to this image at some point:
Stripped of context it’s just a doll, just a tired horror-movie prop, a signifier of terror rather than something actually terrifying. In context however, this dull prop seems far more potent:
The sense of surprise, that feeling of “what the fuck is that face doing in the middle of this conversation?”, is enough to give the image some fresh charge here. The last panel of the sequence hints at the answer, but for the duration of the two panels before it you could be forgiven for thinking you were in another, more Lynchian kind of horror story.
Still, even the most bewildering emanations in Cradlegrave trace back to fleshy, non-Lynchian sources, so it’s just as well that there’s more to the this sequence than lifeless eyes and startling incongruity.