September 22nd, 2016
Botswana Beast: So the central arc of Punisher MAX, which I think really begins in Mother Russia and ends in Valley Forge, Valley Forge, is all based on this plan, post-9/11, causing terror in order to provoke more foreign interventionism. It’s something to do with the Soviets — well, the Russians, not the Soviets, because it’s not 1989 –
Maid of Nails: But it is framed very much as “the Soviets,” because, you know, General Zakharov from Man of Stone is old-school.
BB: He’s a great character, but he also does horrible things like throwing a baby off a cliff.
MoN: Yeah, he herds a bunch of people off of a cliff and this one woman who’s about to go over gives him her baby to try and save it. And he lifts up the baby like it’s The Lion King or something, and then he throws the baby over the cliff.
BB: That’s literally one of the most shocking things I’ve ever seen, certainly in a Marvel comic.
MoN: So it’s okay that the Punisher’s trying to kill him.
BB: I can’t actually remember the intricacies of this general’s plan, but it’s to provoke war. And of course these are not real soldiers like Frank Castle, like the other respectable Special Forces –
MoN: Or the SAS.
BB: Ennis has a fucking erection for Special Forces guys. In the story they’re just pen-pushing dirty motherfuckers that never saw a day’s combat in their lives. It’s just an ant farm; it’s a game to them, and they’re total shitlords. And they get killed as well.
MoN: That’s very satisfying, though, because they’re not cool like the SAS or Frank Castle.
BB: He doesn’t actually kill the SAS guys, does he?
MoN: No, because they’re too cool.
BB: Well, they’re not SAS guys in this story. They’re American Special Forces.
MoN: But Yorkie’s in there. He’s SAS. Anyway, Rawlins is the guy who’s going around stirring up shit on behalf of the American government, and he’s just the worst person in the entire world.
BB: He is a gigantic piece of shit.
MoN: If someone has completely no feeling for fellow human beings at all, then I can see how they might end up in something like human trafficking. But Rawlins — he has passions, at least, so it’s even worse. O’Brien, you know, the one who wants to bang the Punisher, is his ex-wife. There was some kind of attraction there. Then there’s the thing with Nicky Cavella, when Rawlins comes in to see him like, “Heyyyy, remember me?” and then goes down on him.
I really hate torture scenes, but when he got his, I was like, “YEAH! Fuck you, Rawlins! I hope they take your OTHER eye out!” This comic kind of makes you want horrible things to happen to people.
There’s a bit where he pays off a bunch of Middle Eastern guys to fly a plane into something and make a giant deal out of it –
BB: And the CIA do do things like that. He makes a fake jihadi cell, because that’s his job and there’s essentially profit in war. Frank Castle ultimately gets to the top of the fuckin’ tree and kills these bitches with the help of Good Soldiers, as opposed to the bad soldiers.
MoN: The bad soldiers, who are bureaucrats.
BB: Middle-class soldiers.
MoN: Rawlins is a really good contrast to the Punisher, though.
BB: A lot of characters are set up that way. Like the Russian general, Zakharov. They are all sort of counterpoints: men who have broken in different ways — well, broken to the civilized eye.
MoN: See, “civilized” — people like Rawlins are the ones who make civilization, and the implication is that it’s kind of always been like that. But Frank didn’t know that when he was in Vietnam, although he probably learned while he was there how bad it could get.
BB: I think there’s certainly an issue with his origin, that this bureaucracy isolates his encampment, which would be overrun but for –
MoN: His awesomeness?
BB: Essentially, although it does kind of delve into this slightly fantastical thing where he makes a deal with Death. Which is his totem, after all, with the skull.
MoN: How many of those shirts does he have, do you think? Is it like how cartoon characters have an entire closet filled with just the same outfit?
BB: 40 or 50, anyway. He’s got the T-shirt versions, he’s got the versions where you suspect there may be clubs held in the skull’s teeth.
MoN: That seems like it would make it really hard to bend over, because they’re right up against his stomach. They’d be in the way. It’s one of the few things that is slightly unrealistic about the Punisher.
March 5th, 2012
Give me skeletons over zombies any time.
Zombies have no charge for me anymore. I mean, I get it. I understand completely why everyone obsesses over them, what they *mean*, but it took watching that sequence from Mean Streets again recently, where the drunk, bullet riddled barman continues to lurch towards his would be assassin even though he should’ve keeled over and died five minutes before, to make me feel horrified by the undead again. All the hallmarks of the zombie were there, the shambling flying dutchman of an un-person complete with lolling eyes and outstretched arms, persistance of movement and ‘mission’ inspite of massive structural damage…. But this time I needed a real body, something more literal, less of a symbol (and, now, not just a symbol for scary stuff we’d all rather not think about, but a portal to a whole genre of entertainment/fandoms/an industry, etc. – a tangled mess of associations, many of which I find boring/slash annoying), to make me re-experience the supernatural horror of undeath and thence the very real, physical body-horror it points to. It was an assbackwards way to get there, but it worked.