April 15th, 2013
Spring Breakers, dir. Michael Bay, 2013
You might think that it would be impossible for Bay to top his Transformers trilogy, that those merciless tributes to the twin glories of steel and flesh represented the purest distillation of his art. On the other hand, you might not think that he could get any lower than that seemingly never-ending explosion in a cliché factory.
Whichever side of the divide you found yourself on, Spring Breakers renders your opinion obsolete. This movie is Fear and Loathing to the Transformers trilogy’s hyper-modern war movie (with Florida standing in for Las Vegas just as Vietnam blurs into Iraq). It’s the Saints Row to The Dark of the Moon’s Call of Duty. The adventures of Optimus Prime and co might have fleetingly simulated what the disorienting frenzy of 21st Century warfare would look like if it was fought on American soil, but Spring Breakers is the real deal – the story of four girls fighting the war at home with nothing but day-glo bikinis and raw fantasy. 
Oh, yeah, and did I mention guns?
Because – *SPOILERS* – guns are important too.
November 16th, 2012
Last year’s convention was generally agreed to be one of the best comics related gatherings that Team Mindless had ever attended, so we’re coming team handed this year.
July 20th, 2012
This review was fuckin’ tough to write. I mean that. I don’t mean just the usual typing and re-typing a section as you try to nuance a gag or make a point, although that was certainly part of it. No, what it entailed was something of a personal whirlwind akin to the opening of Apocalypse Now, but with less booze and more crying. Sometimes I would pause to reflect on how the fuck I got myself into this state over something so simple, because, really, the actual review was a breeze to write. It was what followed that was the problem.
When Simon Furman and Andrew Wildman announced their desire to resume the story of the Marvel Transformers comic, I have to confess I was curious, but I wasn’t burning to have it with never-ending desire. It did seem odd. Bin Generation 2? That odd beast of a comic with 75% more violent death and one of the most intriguing additions to Furman’s version of the mythology? Also, I’d not long finished catching up with Furman’s IDW run. A decidedly mixed bag that almost dips a toe into becoming brutally sublime when the cancellation kicks in and the steadily increasing pace that marked each limited series suddenly sees the last two issues ramp up into a fucking furious pace. Plot points not so much nailed as roadkilled. A tenuous reminder of the energies of past. Maybe he had the old ways in him, but I for one wasn’t sure.