July 28th, 2014
With Grant Morrison’s Multiversity finally on the (candyfloss)horizon, he’s been doing some interviews in support of the book on The Comics Internet. You remember The Comics Internet, right? That place you used to go to discuss comics after you got sick of chopping up old issues of Wizard and randomly inserting snippets of inane commentary underneath pictures of classic (#classic) alt comics in TCJ, but before you resorted to gnomic twitter commentary and/or listening to a seemingly endless supply of podcasts while wanking/doing your housework/riding the bus?
The topic of the Prismatic Age of comics came up during one of these press adventures, with only a little bit of prompting from the interviewer from Comics Alliance:
Grant Morrison: Unlike Seven Soldiers… that was a lot more modular. This one is more of relay race, that was the structure we built because each universe is reading the comic books from the previous universe, and that’s how they learn about the threat, basically. It’s more like a chain. It doesn’t have the same intricate jigsaw pattern as Seven Soldiers. It’s quite linear, this one. I wanted to do something quite linear and simple and everyone could “get” this time. This one is for people who’ve never read DC before but want to get into this gigantic maelstrom of characters and versions of characters; the prismatic world of DC.
Comics Alliance: They call it the “prismatic age.”
As long time Mindless readers will already know, this term originated in a couple of posts by our own Botswana Beast. Good little virus that it is, the idea of The Prismatic Age has infected comics fans and academics alike, and if you’ve so far managed to avoid contagion, I’d recommend you do what all the cool kids were doing six years ago and expose yourself to the Bottie Beast!
A tasty wee taster, just to get you started:
The ideology of the Prismatic Age, what it insistently moves toward, is that all parts are active, all of the time. While not necessarily visible monthly, nor are they hidden or overwritten – this was the notion of Hypertime, never fully realised but approached in the much-loathed-for-rule-breaking Kingdom. Summary of all incarnations, a distillate. This is partly what I find so terribly aggravating about the PopMatters piece that set me on this path many moons ago, apart from its attempts to cloak in inscrutable terminology a daft enthusiasm for two largely consequenceless and really quite markedly shit event-books from last year, is the lack of understanding of either superheroes or, really, the postmodernism it touts. Postmodernism is largely about (oh-ho-ho, I am going to tell you what postmodernism is “largely about” on a comics blog,) textually, shifting loci on a subject, a lack of definitiveness in portrayals and readings – to read Civil War(!!) as somehow having achieved a permanent destabilisation of the superhero archetype because it wasn’t about a binary black & white bone of contention?! No: that ship had long since sailed, it was a pirate ship in a comic read by an African-American child beside a fire hydrant, and the sole difference was that it was big duopoly franchise comic events that were dealing, ham-fistedly of course, with the supposed issues: none of which were terribly worldly, one of which was sort of, if you squinted, slightly topical. Boring, kneejerk Dark Age scions, really – Civil War literally ordains the Keene Act, for Rao’s sake! The spirit of this age seems to me throughout to have been essentially one of recapitulation and of remixing, in this case 2006 remixed 1986 badly – but this is also how you end up with Batmite as a Jungian portent of impending demise.
Check back tomorrow from more Multiversity pre-amble, because apparently I quite like The Comics Internet, when I remember that it still exists!
May 7th, 2014
A collaboration with Edinburgh based artist and ghost merchant Lynne Henderson, Cut-Out Witch contains twenty five pages worth of lost souls and lo-fi monster magic – imagine a teen goth Terminus and you’ll be on the right track. Lynne provided the pictures, I added the words, but if you want to cleanse yourself with holy water after reading then I’m afraid you’ll have to bring your own bottle.
“Cut-Out Witch is really good… Lovely creepy stuff” – Twitter’s own James Baker
“Almost every page made me laugh or smile or feel things” - comics’ own Ales Kot
“You do seem to be able to dash such things off quite easily, I kind of wish I could do that…” - A Trout in the Circus’ very own Plok
The original print run has sold out, but Cut-Out Witch is now available in PDF format for 50p!
If you already bought the print version, please feel free to email me at bigsunnyd @ yahoo dot co dot uk and I’ll send you the PDF for free.
December 19th, 2013
Like the text says, there’s more from me and Mister Attack at The Weegie Board dot wordpress dot com! If you’d rather read Scott’s comics without all my stupid words on top, he’s got exactly the thing for you at his own site.
If, on the other hand, you were hoping to find out about actual Weegie Boards (for contacting dead weegies), you might have to take your business elsewhere…
November 30th, 2013
Fresh from Thought Bubble 2013, it’s the zine full of comics and essays about suicide, hubris and social housing that everyone – well, at least one person! – is talking about, Looking Glass Heights!
This first issue features:
- THE BLOWNDOWN OF BARRY BROWN – a comic about a man who goes up a a building then comes back down again, though whether the man or the building are the same in the end is up to you to decide.
- REALITY WAR – US vs. THEM – an essay on social housing and the customer service reflex.
- FLOWERS IN A FOREGROUND – another essay on Frank Miller, Eddie Campbell, and art vs. reality.
- BREAKDOWN OF A BLOWDOWN – a deconstruction of the method used to create the art for Looking Glass Heights #1 (“a comic drawn by someone who can’t really draw, using a tool that wasn’t meant for the job”).
“…made me feel thing with a limited size and toolkit” – Twitter’s own James Baker
UK & Europe £2.00 + £1.50 postage & packing:
Cindy & Biscuit no.3 is done, dusted and available for purchase now! Just in time for Christmas too…
And it’s the biggest issue yet – 56 pages! It includes the singe longest C&B story I’ve ever done, Abducted Again which clocks in at a whopping 37 pages! It also includes the stories Cindy & Biscuit and the Camera and Cindy & The Fever (previous published here at Mindless Ones).
Needless to say, I’m super pleased with this and can safely say it’s the best work I’ve ever done. I hope you like it too.
Click below for some sample images, and then head over to my shop to get yourself a copy. While you’re there you can pick up issues 1 and 2!
October 18th, 2011
OR: MINDLESS LINKBLOGGING, SPECIAL “ALL BASTARDS MUST BE AGGRAVATED!” EDITION!
As you hopefully noticed, we spent a large part of last month bringing you the best in bastardry. We’ve got some spooky Notes From the Borderland coming up in time for Halloween, so right now seems like as good a time as any to collect all of our bastardly musings together and to celebrate the cruel simplicity of the banner The Beast Must Die created for the event:
Hopefully you’ll be able to forgive me for indulging in a little bit of back-patting here while I take you through AN INDEX OF BASTARDS!
August 26th, 2011
SPECIAL “BAD TOUCH IN GOOD COMPANY” EDITION!!!
Anyway, enough of that (You’re telling us! – Ed) – I want to put some filth in you . Best take your shots first, unless you actually want to catch something…