February 5th, 2012
Sometimes the best creative work comes from having to work within restrictions imposed from outside. The Mind Robber is a perfect example of this. The story before, The Dominators, was originally meant to be a six-parter, but had to be cut down to five (thankfully, as it’s the most awful mess imaginable from every possible standpoint).
June 14th, 2011
We’ll stop at nothing, you see. All the suffering and the death and the pain in your world is entertainment for us. Why does blood and torture and anguish still excite us?
We thought that by making your world more violent we would make it more “realistic,” more “adult.” God help us if that’s what it means.
Maybe, for once, we could try to be kind.
(Grant Morrison, Animal Man #26)
TALES FROM THE MILLARDROME, PART 1: Having spent a fair bit of time ripping the pish out of Marky “Mark” Millar while writing up my Kapow! experience, and having then heckled my way through a twitter argument about Mark Millar’s collaborations with Frank Quitely on The Authority, I felt an odd sense of duty to reread Millar’s breakthrough comic, to see if it still worked.
And you know what? Turns out Millar’s first story, ‘The Nativity’, is still really fucking good: