SILENCE! #219

March 28th, 2017

WHAT WHAT, MY POP ROCKS!

Gary Lactus hosts an epic mash up lash up* starring hard boiled gritty pre-Giuliani New York cop just two weeks away from retirement, Johnathan Dick and a hypnotic robotic Spare 5 who returns like the monster from an ever diminishing horror franchise! Better than that though is the explosive entrance of crime fighting duo The Beast Must Die and Mini-Beast, ready to deliver a 200+ megaton purple nurple right on the left boob of the London Underworld! Wanna know what we talk about? There was loads and load and plenty of it not comics. Here’s a list of words!

2000AD Titan Editions, akira, Animal Man, Beneath, Blair Witch, Cry of the Werewolf, Curse Words, Dennis Potter, Doom Patrol, Found Footage, Found Footage Films, Gabriel Hardman, Gi Joe Vs Transformers: The Movie, Hitman, horror, Invisible Republic, Johnathan Dick, Judge Dredd Deviation, Junji Ito, Justice League Trailer, Kong: Skull Island, Larry Cohen, Larry Fessenden, Lone Wolf and Cub, Manga no Manben, Mini Beast, Naoki Urasawa, Nemesis, Not Quite Hollywood, Roger Corman, Romaction, Romance of a different name, Sandman: Overture, Scratched Live!, Silence! Because the Film’s Started, Slaine Choose Your Own Adventure Comics, Stray Bullets, TBMD, The Beast Must Die, The Belfry, The Origin of Spare 5, walking dead

FEAR THE NIGHT!

*made you look!


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This edition of SILENCE! is proudly sponsored by the greatest comics shop on the planet, DAVE’S COMICS of Brighton. It’s also sponsored the greatest comics shop on the planet GOSH! Comics of London.

Read some thoughts on what David Lynch and American movies of the 90s have to do with the return of Stray Bullets after the cut!

Being: the second in a series of posts about John Smith and Edmund Bagwell’s top British horror comic Cradlegrave.

If you’re going to talk about Cradlegrave, you’ve pretty much got to face up to this image at some point:

Stripped of context it’s just a doll, just a tired horror-movie prop, a signifier of terror rather than something actually terrifying. In context however, this dull prop seems far more potent:

The sense of surprise, that feeling of “what the fuck is that face doing in the middle of this conversation?”, is enough to give the image some fresh charge here.  The last panel of the sequence hints at the answer, but for the duration of the two panels before it you could be forgiven for thinking you were in another, more Lynchian kind of horror story.

Still, even the most bewildering emanations in Cradlegrave trace back to fleshy, non-Lynchian sources, so it’s just as well that there’s more to the this sequence than  lifeless eyes and startling incongruity.

Look into these eyes, and tell me what you see…