SILENCE! #217

March 13th, 2017

Gary Lactus and Maid Of Nails did a podcast and it was called SILENCE! and they talked about presents for babies and the film called Logan and the telly show called Legion and then they went to a place called the Reviewniverse and then they talked about comics called Man Thing, Got Your Nose, Horrible Folk, Grass Kings, Kingpin, Mother Panic, Super Friends, The Wicked and the Divine, 2000AD, Squirrel Girl and Motor Crush then they went away from the Reviewniverse because they wanted their dinner then I woke up and it was all a dream. I don’t like it here. I want to go back to sleep.

Check out Nails’ endeavors as Kelly Kanayama:
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This edition of SILENCE! is proudly sponsored by the greatest comics shop on the planet, DAVE’S COMICS of Brighton. It’s also sponsored the greatest comics shop on the planet GOSH! Comics of London.

Got Your Nose, Douglas Noble, self published 2016

“Who is this bastard and why is he lying to me?!” – this was the first instruction given to me by my favourite English Lit lecturer, a guide for how to approach any given novel, no – check the expiration date, still seems good to go – any given text.  Shame that it falls apart only when you apply it back to the source, eh?

After all, who the fuck was this man and what did he have to gain from carving out space for that idea?  Only his whole fucking career.

Still, if I can’t pretend that this question will keep a roof over my head, I can still carry a jagged little fragment of it around in my back pocket, not so much an offensive weapon as a talisman to ward off the sly lies of authors, always so keen to have you see things their way.  So it goes with cartoonist Douglas Noble, whose New Lies in Every Line has had me bewitched and bewildered for a full year now.

I met Douglas at this year’s Thought Bubble festival, and spotting a sucker, he drew me in with his carnival barker’s knowledge of how to see into the heart of the audience, to know not just what they want to see but what they need to see.  He promised me that he was moving away from narrative and further into the realm of pure theme, and having glanced briefly at Got Your Nose, I believed him.

What can I say, I’ll always be a sucker for a Scottish accent in a distant land!