For London <-|-> From Hell

November 12th, 2015

The following post was written as a response to The London Graphic Novel Network’s discussion of From Hell

Here’s Graphic Novel Network/Kraken bod Joel‘s final flourish, just so you have some idea what I’m arguing against:

when I read [Moore's] stuff I get the feeling is that nothing has been lead to chance and everything is designed for very definite and exact reasons you know? If other comics are a little jelly and playful and “make your own mind up!” – Alan Moore in a labyrinth of cold hard steel: arranged in such a way that the only possible stance you’ll allowed is that of a mouse – desperately trying to find its way to the piece of cheese at the end.

And here’s my response:

Joel, the way you describe Alan Moore’s work there makes it sound hugely unappealing. I don’t think your account of how his art works is fundamentally untrue, mind, but it makes his work sound awful, tyrannical even – “Imagine being held in the iron grip of The World’s Mightiest Beard… FOREVER!”


And yet… the sense of total control is undeniably part of Moore’s appeal, always has been. It’s there in the famous grids of repeating imagery in Watchmen, in From Hell’s attempts to draw together an occult history of murder, in Promethea’s attempt to overlay scientific theories on Judeo-Christian creation myths. It’s even in the carefully synthesised pulp that fuels relatively Thrill Powered works like V for Vendetta and Halo Jones and (why not?!) Crossed 100
It’s also the aspect that can curdle his attempts at humour, the thing that sometimes makes his self-consciously light and playful comics feel like anything but, the… oh shit, is this why he always crams those bloody songs into his comics? Is it the final test of his mastery, the compunction to try and make you hear music in a comic? Will he manage it one day?

Maybe. Or maybe he just read too much Pynchon and smoked a little too much Tolkien before going to bed last night.

“Modern life is rubbish, here’s an 8,000 page novel about my garden.”

Still fired up from February’s discussion of what’s worth watching on American TV, Mindless twinset Mark (Amypoodle) and Adam (Adam) have written an Experts Guide to HBO’s ‘True Detective’ and weird comic book fiction for Comic Alliance.

There’s a lot of great stuff about Alan Moore, Grant Morrison, H.P. Lovecraft and Thomas Ligotti in that post – if you’ve read any of Mark or Adam‘s stuff before, you’ll know what to expect, and if not you’re going to enjoy finding out!