June 17th, 2012
How good can a story be before its bad aspects are excusable?
The Talons Of Weng-Chiang is notable for many things — it’s the last story for Philip Hinchcliffe as producer (and he let the show go so far over budget to make it a good one that the budget was slashed for future series…), it’s the last story that David Maloney ever directed for the show, it’s one of Robert Holmes’ best scripts — but there are two things that make it especially notable — the blatant racism, and the terrible special effect of a rat
May 22nd, 2012
Through the millennia, the Time Lords of Gallifrey led a life of peace and ordered calm, protected against all threats from lesser civilisations by their great power. But this was to change. Suddenly, and terribly, the Time Lords faced the most dangerous crisis in their long history…
May 13th, 2012
1975 was the last year that everything changed for Doctor Who. We’ve seen that there are three main forces behind the feel of Doctor Who , the producer, the script editor, and the star. Season 12, which started in the last week of 1974, was the last time that all three would change at once during the show’s original TV run. (Technically, producer Barry Letts stayed on for the first story of the season, after Pertwee and script editor Terrance Dicks had already left).
February 11th, 2012
It was the end…but the moment had been prepared for.
February 5th, 2012
Sometimes the best creative work comes from having to work within restrictions imposed from outside. The Mind Robber is a perfect example of this. The story before, The Dominators, was originally meant to be a six-parter, but had to be cut down to five (thankfully, as it’s the most awful mess imaginable from every possible standpoint).