June 4th, 2015
December 4th, 2014
There comes a point in every Mindless gathering where the correct amount of alcohol has finally been consumed for the conversation to turn to Final Crisis, with a special focus on the hastily squandered horror of the fifth issue. Thankfully, we’ve started to bring friends along to help identify the reason for this boozy recurrence:
Yes, that’s right – the crushing banality of the morning aftermath is rank rotten enough to haunt its own bacchanalian origins, and when it does so it wears Darkseid’s face. Honestly, I wouldn’t have it any other way.
The spirit of this wretched, queasy moment inevitably seeps into the comics I buy at Thought Bubble when I try to read them on the train home. This petty, remorse-tinged meanness tried to curdle my appreciation of the Decadence comics I brought home with me last year, but it struggled to find shelter in their sparsely populated mindscapes. The darkness found a more suitable hiding place in Spandex, Martin Eden’s LGBT-friendly, Brighton based superhero strip.
Like his previous serial adventure The O-Men, Spandex mixes everyday drama and garish unreality with ease. Brother Bobsy mentioned Paul Grist as an obvious reference point when he discussed the collected Spandex on SILENCE! and there’s definitely something to that: like Jack Staff or Mud Man, Spandex is humorous without ever seeming parodic, and it manages to generate a sense of low-budget romance from its seaside drama. The debt to the X-Men is also undeniable, both in Eden’s commitment to chronicling the adventures of a group of emotionally combustible super-friends, and in his clean, brightly coloured artwork:
January 24th, 2013
Script by Grant Morrison. Art by Chris Burnham and Nathan Fairbairn. DC Comics.
[The term 'Batman' here simultaneously refers both to both the well known character/intellectual property featured in a variety of widely distributed cultural products that bear his brand, and to those products themselves.]