November 5th, 2016
Are you celebrating comic book Christmas in Leeds today? Are you struggling to fight off the sense of despair that comes with another winter, suddenly sure in the knowledge that your attempts to break the wheel of time itself have been unsuccessful – again! – and that while it might feel like you’re living in a bubble where nothing ever changes, that’s an illusion that can’t survive winters yet to come?
Are you at the Thought Bubble comics convention, trying to find something that will make the change of seasons seem bearable?
If so, why not come see the Mindless Ones at tables 13 and 14, New Dock Hall?
We might not be able to solve your problems, but I can guarantee that we’ll haunt your dreams.
We’ll also be blogging for money throughout the weekend – for a penny a word, one of us will write about any topic of your choosing. If you’re looking to be really cruel you should wait until Sunday morning when we will be at our most vulnerable and ask us to write a 25,00o word justification of the life of Mark Millar.
The Beast Must Die / Dan White is here, selling Cindy and Biscuit - The Bad Girl part 2:
If you like
comics that are packed full of adventure and strangeness and gross humour comics, you’ll like Cindy and Biscuit!
Gary Lactus / Fraser Geesin is here flogging his autobiographical comic The Cleaner:
If Fraser wasn’t a pall I’d have made a fool of myself online by banging on about The Cleaner at every possible opportunity. As it is, I’m mostly going to stick to burbling lovingly at him in the pub, telling him about how the attention he pays to the overlap between everyday chores and outsized thoughts makes for one of the most hilarious and profound comics going.
My main man Mister Attack / Scott McAllister is selling copies of his student sit-com comic Wake Up Screaming, and Points on a Graph, the story of a man who is separated from his body and still has to go to work on Monday:
Scott’s one of the funniest guys I know, and his comics are a testament to his digressive wit and wicked imagination.
Andrew Hickey / Andre Whickey will be here selling his books about Doctor Who, Seven Soldiers, The Beach Boys, and the concept of entropy for £3 a pop – not a bad price to have a load of new connections in your head. Andrew will also probably be writing 10,000 words a minute and shaming the rest of us with his ever-productive brain. The bastard.
March 27th, 2016
Our very own Dan White (aka The Beast Must Die) has been interviewed by Matt Colegate for The Comics Journal! Colegate talks to The Most Handsome Mindless* about Terminus, Insomnia, Cindy and Biscuit, writing for this site, and the development of his art style, and it’s all well worth a read if you like what’s best in life.
A teasing excerpt:
When did you start noticing that your style was developing? Was it an incidental discovery or was it something you were working towards?
There’s a hodgepodge of influences that I can see in everything I do, but it’s nice that a style has formed. When I’m doing a brush stroke I’ll be thinking “the way I’ve drawn those bushes is really Bill Watterson.” The style also came out of admitting that I didn’t have to do figurative art work. I could still tell stories that I liked by using cartoons. I should say that the biggest influence in my life is Chuck Jones. Seeing the Warner Bros. cartoons broke me forever.
So you were quite strict about wanting to be a cartoonist?
I just admitted, y’know, “You’re not going to be Simon Bisley and you’re not going to be able to draw Batman”. Nor would I want to. My uncle was an illustrator and I used to look at his work and the looseness of the brush work used to really appeal to me. When I realized I could tell the stories that I wanted by cartooning, and not being a slave to anatomy and photo-referencing, that was really liberating and I think the style developed there. It was quite organic.
A lot of your work – Terminus for example, which you did weekly for Mindless Ones – consists of single panel pieces. What is it that appeals about that format?
The one panel strip is traditionally used for political cartoons or simple visual gags, but I wanted to explore what you could do. They were like haiku experiments in paring down the text. Doing it on a weekly basis was great – doing anything on a weekly basis is great because it’s a way to refine your style – and I noticed that I was getting much better at paring the words down. I wanted to do something that wasn’t necessarily funny. What about if you had a one-panel comic that just disturbed you, or made you feel a bit sad? Somebody on the internet said “It’s like a fortune cookie that you open up and inside there’s an obituary.” That was the perfect description of what I was trying to do. He didn’t mean it as a compliment but I put it on the back of the first collection anyway. It was about trying to capture something and suggest a whole world in a panel. There was a nerdy element also, because I got to tell a science fiction or horror story simply. Horror is a thing that comes up again and again in my work and Terminus was a good way to flex some of those muscles.
If you’ll forgive me for sliding straight into huckster mode – this is the internet in 2016, after all – I’ll just right ahead and say that if the interview put you in the mood to read/buy Dan’s comics, we can help you out with that!
I mean just look at this sequence, from the most recent Cindy and Biscuit book:
**Unless you’re broke, obviously. We don’t actually want to bankrupt you or anything. Or at least, The Beast Must Die doesn’t…