Diggers & Snatchers: 15 thoughts about fear and Cradlegrave
March 21st, 2012
Being: the first in a series of posts about John Smith and Edmund Bagwell’s top British horror comic Cradlegrave.
ONE – If you didn’t look past this cover-cum-promotional piece for Cradlegrave, you might think that it was telling a very specific sort of story, the sort of story you might describe as being either “tabloid shit” or “a bit Jamie Delano” depending on which of those two targets was more worthy of disdain.
When I first discussed Cradlegrave back in December, regular comments thread contributor Thrills said he was looking now that he’d got past his concerns that it would “be like that Denise Mina Hellblazer where ‘hoodies’ are ‘demons’.”
Ah, so it’s tabloid shit that smells like Jamie Delano. The worst of both worlds. Fuck.
TWO – Despite the fact that the “Fear they Neighbour” text is missing, the cover of the collected edition still aims to make a similar impression:
To my eye, there’s something less real about the four hooded figures in this reformatted cover though. The overly harsh, pixelated light that gleams off of their shoulders is even more unnatural when set against an all-black background, a background that now seems to expand outwards from the empty spaces where four young faces should be.
These are absent phantoms, not flesh and blood monsters, and while I wouldn’t want to pretend that they’re being deliberately undermined here I still find it hard to imagine anyone taking them seriously.
The only fear in this image is the fear you bring with you, be it fear of “savage” yoofs or of dehumanising right wing rhetoric…