A quick preambulatory moan:

Oh the art, the art was as ever a big problem. I’ll let the lovely chaps over at Comics Alliance fill you in on the specifics, all you really need to know is that the central aspects of the issue’s locked room mystery – when the Prof was killed and who did the killing – were obscured by an art error that should have been spotted by the editorial team, or, you know, someone. It’s just not okay that something like that was allowed to slip through, and it makes me wonder exactly what sort of relationship Morrison has with the editorial staff, let alone his artists. Maybe they were just in a big rush, although it’s hard to imagine why given the lead in to this issue.

That aside, I enjoyed 700 in a bitty way, but wasn’t too keen on the book as a whole. The segmented structure helped to legitimise the former response in my mind however, and consequently I feel no shame in taking the annocomment approach. Seems appropriate.

More from me after the jump

s_p17

Trump Taraaaaah!, but no annocommentations from me this time, sorry, but I have sussed out the identity of Dr Hurt. Read on…

atst

Sorry about the delay, Superteam. I would have posted this on Friday if it wasn’t for Zom’s notepad fucking up my shit. I was so angry I couldn’t face redoing the entire deleted file until today – I’m sure you understand.

So… this time round there’s a lot more talking – denser panels and whatnot – there’s more wildlife and a sprinkling of magic. BTW, I’ve been checking loads of comics and people break the 25 to 20 words a panel rule ALL THE TIME so I don’t feel that bad about it any more. Obviously if the action’s supposed to be fast paced you can’t go shoving soliloquies in character’s mouths, but if it’s just talking heads, or even a teensy bit of implied movement, then it doesn’t matter so much. Again, I won’t be coming over all Bendis or Kevin Smith.

I wrote this one under the influence of the mighty Melchior Productions Ltd, Vangelis (obviously, but specifically his Apocalypse Des Animaux stuff), Telepathe and Atlas Sound, so it’s all a little downbeat…. Apart from the parts that take place in the Engine Rooms, which I wrote while drinking and chatting with a mate. We had Stay High and Thunderheist on repeat. That LBG tune’s a corker (thankyou, Wrong Tom!).

STOP!

GET READY!

GO!

Batman 666 #4, Mothafucka!

March 6th, 2009

And so ends part one of our batbook. I hope you like it. I can’t tell you how fun it is writing this stuff, and in my not so humble opinion, it’s a million times better than most superhero comics out there. But then, like all fan-fic people, I’m writing it because it’s what I want to see. This one over-runs by a few pages, but hopefully the book’ll be so popular by the time we get to the fourth installment DC editorial won’t mind! I know I should’ve reigned this monster in, but I want you to be able to read the uncut version. And I wasn’t ripping off Grant – I wrote it before…. YOU KNOW ALL THIS……

There’s lots of fighting this time. Some secrets are revealed. Others will have to wait. There is an overall arc to this stuff.

I’ll get back to some real criticism next week