MULTIVERSAL // DECAYED

February 26th, 2018

Or “What’s A Bottie Beast?” – A Love Story

MIndless Decade: Ultimate Classic!

Illogical Volume here, writing a wee introduction to an ULTIMATE CLASSIC! post by another Mindless because…. well, almost two years down the line, I’m still stuck on the Botswana’s Beast‘s last post on Multiversity, still trying to get a feel for what it’s doing, how it works.

It has something to sell you, sure, but it also wants you to ask what you’re buying.

It’s a bit like the comics themselves that way…

Some of the questions raised by this post still haunt me, primarily:

  • Who the fuck is the Botwsana Beast, Duncan Falconer, the Dead Demon Rider?
  • What’s the shape of our relationship?
  • Why do I care?

These are transposed thoughts about my relationship with Multiversity‘s primary architect Grant Morrison, I think, though the process goes both ways – any increase in my familiarity with one seems to magnify my sense of intimacy with the other.

All of this is basically just me allowing myself to ask the standard English Lit question – “Who is this bastard and why is he lying to me?” – on a level that is disgracefully familiar. Having called him a bastard and accepted that he is probably lying to me at least some of the time – because hell, we’re all probably lying to ourselves at least some of the time – the challenge is to take this process to its unnatural conclusions…

Why do I care about Duncan?

Because he was on the Barbelith forum, where he was obviously Scottish, properly narky and endlessly left wing

Why should any of that matter?

Because it suggested that he was just like me, basically, but with better jokes.

Is that really all you wanted from the world, to go out and meet yourself in it?

No, and I won’t settle for the promise of self-knowledge either but hey – it might be a start!

If this seems like a fairly flimsy basis for letting someone into your mental space, making them a part of your consciousness and letting yourself worry about their happiness, ask yourself – who else have I made time for? Does writing some Animal Man comics provide better grounds for letting someone into your heart? Probably not, but that doesn’t mean we should write the whole thing off.

Nor does it mean that we should stop questioning what shapes we’re making ourselves into, how what we’re doing with our networks is allowing those networks to change us.

When I think of these comics, and the people that we’ve met through them, there are two words that keep coming to me, a worldview implicit within the mess of friends and fantasies I live in: “anguished materialism”, of the sort that might be understood by people who have tried to change the world using art and sigils alone and come up short. Because if we’re going to do this, if we’re going to trade in fictions that promise to rebuild the world around us, please let there be materialism in the mix. Please let there be an understanding of how bodies are exploited and turned again themselves, of how we’ll have to trade our best intentions for rent money once our spirits have been broken. Please let there be an awareness of the forces of production, but let there also be some anguish in there, let there be a determination that we can’t keep going on like this.

The sigil kids have had enough. They know that things don’t have to be this way, and that our times call for determination to fight and space to dream.

This is what I think about when I think of Duncan Falconer, the Botswana Beast, the Dead Demon Rider, without whom I would never have written for this website.

This is what his last post on Multiversity engineers, piece by piece, through its appeals to shared knowledge, to all of us… a machine built to contain the worst of the world in which it was created, but which is also designed to amplify the best of it, to give our hopes some form that might survive in the worlds yet to come.

Endtroducing

HOW TO PASS THROUGH A PORTAL

Here, the map is the territory.

This is about to get seriously earnest, adjust your sets… I’ve read Grant Morrison comics from the age of 7, on and off (I was too much of a wimp for 2000AD as a teen and Batman: Gothic shat me right up), starting with this one and pretty much consistently every one for the last near twenty years (I didn’t get Final Crisis: Secret Files, a decision which haunts me still, and haven’t been keeping up with 18 Days, which is just barely a Grant Morrison comic), since semi-rediscovering him through The Invisibles.

“Yeah. I guess the fighting never ends, does it? It never ends.”

SILENCE! #219

March 28th, 2017

WHAT WHAT, MY POP ROCKS!

Gary Lactus hosts an epic mash up lash up* starring hard boiled gritty pre-Giuliani New York cop just two weeks away from retirement, Johnathan Dick and a hypnotic robotic Spare 5 who returns like the monster from an ever diminishing horror franchise! Better than that though is the explosive entrance of crime fighting duo The Beast Must Die and Mini-Beast, ready to deliver a 200+ megaton purple nurple right on the left boob of the London Underworld! Wanna know what we talk about? There was loads and load and plenty of it not comics. Here’s a list of words!

2000AD Titan Editions, akira, Animal Man, Beneath, Blair Witch, Cry of the Werewolf, Curse Words, Dennis Potter, Doom Patrol, Found Footage, Found Footage Films, Gabriel Hardman, Gi Joe Vs Transformers: The Movie, Hitman, horror, Invisible Republic, Johnathan Dick, Judge Dredd Deviation, Junji Ito, Justice League Trailer, Kong: Skull Island, Larry Cohen, Larry Fessenden, Lone Wolf and Cub, Manga no Manben, Mini Beast, Naoki Urasawa, Nemesis, Not Quite Hollywood, Roger Corman, Romaction, Romance of a different name, Sandman: Overture, Scratched Live!, Silence! Because the Film’s Started, Slaine Choose Your Own Adventure Comics, Stray Bullets, TBMD, The Beast Must Die, The Belfry, The Origin of Spare 5, walking dead

FEAR THE NIGHT!

*made you look!


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This edition of SILENCE! is proudly sponsored by the greatest comics shop on the planet, DAVE’S COMICS of Brighton. It’s also sponsored the greatest comics shop on the planet GOSH! Comics of London.

How to Pass Through a Portal

April 16th, 2016

Here, the map is the territory.

This is about to get seriously earnest, adjust your sets… I’ve read Grant Morrison comics from the age of 7, on and off (I was too much of a wimp for 2000AD as a teen and Batman: Gothic shat me right up), starting with this one and pretty much consistently every one for the last near twenty years (I didn’t get Final Crisis: Secret Files, a decision which haunts me still, and haven’t been keeping up with 18 Days, which is just barely a Grant Morrison comic), since semi-rediscovering him through The Invisibles.

“Yeah. I guess the fighting never ends, does it? It never ends.”

That’s a mid-1986 copy of Spider-Man and Zoids, no. 18 to be precise – as an aside, the time is completely ripe for a boutique Zoids comic, in the style of yer Copra or Scioli Transformers/GI Joe, get Farel Dalrymple and the Study Group lads to do it or something. Anyway, the point is this: it’s impossible, or nearly impossible, to have that kind of relationship – thirty years(!!) – with an author outside of comics; maybe I could have had with Alexander McCall Smith or something, he writes kids’ books, he writes gentle mysteries in Botswana and Scotland – could maybe have worked, seems a bit mimsy to me. Accept the premise, move on.

Multiversity is a culmination of the writer’s motifs and core interests from 1986