Neil Gaiman is one of the most charming and popular writers to ever escape from comics. Famed for his extended runs on The Eternals and Hellblazer, as well as for his transcendental novels Mirrormask and American Gods, Gaiman’s name has become a synonym for so many words that it’s threatening to replace our whole language: “dreamer”, ”storyteller”, “vainglorious tout”… all of these words and phrases are contained within him now.

Soon, no thoughts will be safe!

But all of this is as obvious as breathing and twice as much fun.  What can we tell you about Neil Gaiman that you don’t already know?

1. While everyone knows about the Dreamsqueezer’s massive contributions to 2000AD, the fact that he cut his teeth for DC Thompson is less commonly discussed or understood. Working under a series of bewitching pseudonyms and accepting payment only through a convoluted array of shell companies, Gaiman honed his craft, taking the staid comedy routines that had trapped characters like Oor Wullie for decades and transforming them into something strange, something other:

Gaiman is often hesitant to discuss his early work, but in the deep, dark woods of his infamous 2008 radio interview with Jonathan Ross, the bewitching Duran Duran biographer compared these early strips of his to “the very best of Kafka”.

Rumours abound that Deep Space Transmissions archivist Ben Hansom will be debuting a new website this summer that is wholly dedicated to unpacking Gaiman’s contributions to the DC Thompson line. When approached for a comment, Mr Hansom maintained a knowing silence while letting a smile eat his whole face.  Gaiman into that what you will.

Click here for more red hot Gaiman!

We met our fair share of dodgy fuckers in 2014′s comics, but I don’t think we’ve had anyone quite like this guy:

He’s the beard hunter. He hunts beards. His absence from our corporately mandated entertainment strikes me as being suspicious.

You got a problem with that?

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Rogue’s Review: Darkseid

October 1st, 2011

I don’t usually deal in the sort of criticism that tries to find the spirit of our time in this or that piece of pop culture detritus, but for the past few years I’ve felt smothered by four little words – THERE IS NO ALTERNATIVE! – and every time I see or hear a variation on that theme, there’s only one face I see.

No point in trying to keep the bastard stuck in a corner anymore.  You can only fight him off for so long, you know?

It’s time to let Darkseid out of the box:

This is the way, step inside.