November 14th, 2011
Darkseid Is… Honestly, pretty fucking dull in this incarnation.
August 16th, 2011
So, it kind of started like this between he and me, yr ever-lovin’ Botswana Beast, the O-rriginal Eyeball, and there’s more but I’m fuctifano how to get all these trackbacks on the twtr, so look for yourselves, if you really want. Joel (that’s his tumblr) is a pwopa Marxist on the speed-dial and who knows; maybe he can diagnose and cure comics’ endemic corporate thievery better than a ragtag bunch of libertarians? My inclination’s to think this eminently likely.
March 23rd, 2009
Jack Kirby’s much lauded return to DC comics is best remembered now for his monumental 4th World proto-epic. Its fate and subsequent rescue as a lost classic are now extremely well documented, and Grant Morrison’s recent Final Crisis was pretty much a love letter to Kirby’s grandiose and complex vision. But Kirby’s other later works often get lost in the mix, viewed by many as lacklustre work for hire; contract-fulfilment by a man crushed by the general apathy that greeted his masterwork. Simply not true. Whilst they may have not stemmed from the same visionary core that Darkseid and Co sprung from, it was virtually impossible for Kirby not to infuse even his most meagre creations with a manic, creative energy that still read like nothing else.
February 6th, 2009
December 13th, 2008
I feel like the Mindless Ones have been in on a secret. Since its inception, both beasts, Lord Nuneaton Savage, Bobsy and I have all been whispering amongst ourselves about how Final Crisis is actually good.
A few thoughts from Zom:
“I noticed that Brian Hibbs, amongst others, recently commented that Final Crisis lacks weight because of the way it seems divorced from continuity. That’s a criticism that I have some sympathy with – as a reader of ongoing comics how could I not? – but it is rooted in an understanding of the DCU that differs significantly from my own. Brian is positioning continuity as central to our relationship with the fictional space, whereas I tend to approach things from another angle. It seems to me that as fans we all have a much deeper connection with the DCU. I’m talking about our relationship with our private, idealized DCUs. We all know where Gotham and Metropolis are and what’s important about them, we’ve all been to Oa, we care about our favorite superheroes even when their continuities have taken a turn down shit alley. Especially then, perhaps.
Final Crisis is threatening those DCUs. Give a fuck about the one where “superpants punched bumhead so that couldn’t happen!”. Yeah, yeah none of it’s entirely separable- obviously! – but I tend to think that the world is best approached as an analogue rather than a binary experience. It’s not either/or, it’s just about turning down the continuity volume, and trust me it is possible – I do it all the time – and so do you, it’s just that you might not notice.
I’ll be giving you an example in my next post: FUCK YEAH!
Kick it out the door, Poodle!”
Back to me. Welcome.
Stop reading the interviews, ignore the hype, immerse yourself in some Kirby, trust the creative team, stick on some apocalyptic music and you’re ready to begin.
Just a little aside before we get into this. There’s plenty of sites out there featuring balanced reviews, there’s plenty of sites out there featuring scathing reviews, and there’s plenty of sites out there drooling like a muthafucker. This site, however, is all about celebrating what we like about the comic, with a healthy wodge of gushing, but hopefully in an intelligent, infectious way.
I could write the negative review. I could write the balanced review. I could go ‘I MARRY GRANT MORRISON LOVE WEDDING!!!!11123!YOU R BASE BELONG GRANT MORRISON!’
All this would bore the shit out of me. It’s like I’ve just heard a brilliant new tune and I want to enthuse about it, regardless if it’s a bit tatty round the edges and the breakdown’s a bit overlong.
August 21st, 2008
Welcome weary travellers. Come rest yourselves a while in the basement. Mind that mildewed copy of Razzle and that box of broken Transformers. Sit yourselves down between that crate of warped vinyl (can I interest anyone in some vintage James Galway? Or maybe a copy of Duran Duran’s ‘Rio’?), and that decomposing Garfield, and I’ll delight you with some recent treasures from the Beast’s Bargain Basement…
In order to overcome the trauma of shelling out £2/$3 for a new comic (but wow, ain’t it just worth it with all the time and money they’ve put into that turd-polishing computer colour!?!), I have recently returned to the blessed womb of cheap-as-fuck back issues, and it’s got to be said, found some true gems. And some shite. But it’s cheap shite, and that’s what counts.
April 17th, 2008
She’s dressed in straps which she removes and whips sailors with. It’s all very high fashion but I can’t really see it filtering down into the high street – but what do I know?