CINDY & BISCUIT in ‘OBEDIENCE’
February 7th, 2013
Here’s a brand new Cindy & Biscuit strip for you. I’ll be doing these on a semi-regular basis here on Mindless Ones.
Also, don’t forget to get yourself a copy of the brand new Cindy & Biscuit no.3 from my shop at Milk The Cat. You can pick up my other comics while you’re there.
CINDY & BISCUIT in ‘PATROL’
January 31st, 2013
Here’s a brand new Cindy & Biscuit strip for you. I’ll be doing these on a semi-regular basis here on Mindless Ones.
Also, don’t forget to get yourself a copy of the brand new Cindy & Biscuit no.3 from my shop at Milk The Cat. You can pick up my other comics while you’re there.
The Lovely Horrible Stuff: “In my dreams, I have a plan…”
January 25th, 2013
PART 1: PENNY FOR YOUR THOUGHTS
For Christmas this year I was given the prospect of impending joblessness, a gift that has a fine Dickensian heritage, though unfortunately it’s not Dickens but Shakespeare who has a cameo in the comic at hand:
You don’t need a Shakespearean imagination to understand that redundancy is not the sort of gift I’ve always dreamed of receiving, or to appreciate that it’s not the sort of unwanted gift that you can easily pass on to an unsuspecting relative…
Not that I’m so lacking in compassion for others that I’d *want* to inflict that on anyone else. Even in this post-Monneygeddon age, there’s a limit to what I’m willing to admit in public!
A few weeks ago an alternative version of this present drifted into view, a hot air balloon that looked like it might be capable of taking me somewhere:
Click here to find out exactly where that cheeky chappy there thinks he’s going to take you!
NOW FACE THE QUIZZLERTRON: THE BRANDON GRAHAM INTERVIEW
January 22nd, 2013
Greetings Mr Graham. You were due to be interviewed by The Beast Must Die, but sadly he is too busy travelling the globe as an international podcasting megastar with his good friend/mortal enemy Gary Lactus. Therefore you will instead be strapped into the Quizzlertron, and be interviewed by Disembodied Narratorbot X-15735. Expect no fleshy soft peddling and ego-stroking – Disembodied Narratorbot X-15735 is hard-hitting interviewer. Expect Frost/Nixon style hardball, human! Be warned –any deviation from the truth will result in severe electric shocks to the balls, nipples and brain. You have been warned fleshy one. Now on with interview good times, yes sir!
Section 1: Secret Origin
1) First question, simple. Or is it hard? YOU DECIDE FLESHY ONE. Why comics?
BG – It was a decision that I made before I remember making it. My mom says that when I was Seven I announced that I was going to do comics for a living. Past that incredibly well thought out life choice comics has been amazingly rewarding, there’s so much that can be done when you consider what’s possible in mixing words and images and how much of it is still so untapped. My big fear is not doing nearly as much as could be done with it. I feel like I’m on a comic book continent and I’ve just explored the coast but behind me is miles and miles of untapped mysteries. Tell me Disembodied Narratorbot X-15735, have you ever really loved a woman? You’ve got to know her deep inside hear her every thought see every dream and give her wings if she wants to fly…
Cover Versions: JONNY QUEST
October 10th, 2012
Being an irregular series wherein I spotlight some particularly beautiful cover runs, from some comics you might have forgotten about, or never seen before. This time it’s Comico’s surprisingly high quality 80′s JONNY QUEST run.
Jonny Quest, as a franchise, never really had an impact in the UK. Not the original 1960’s TV show, the subsequent 90’s updates or the computer games. In fact it’s probably more recognisable for elements of it that crop up in the post-modern lampooning of shows like Sealab 2021 or The Venture Bros. Jonny quest was/is a plucky blond moppet who accompanied his explorer dad, Dr Benton Quest on rollicking globetrotting adventures accompanied by his faithful dog Bandit, chum Hadji and all round tough guy Roger ‘Race’ Bannon. It was, as is to be expected, good, clean and relatively insipid fun more likely to create a nostalgic glow in a certain demographic than inspire any kind of critical reappraisal. File under Scooby Doo and move on.
Which makes the 1980’s Comico series all the more surprising for the relative sophistication brought to the storytelling and the stellar list of creators it attracted. This was a franchise tie-in to a then defunct kids cartoon that featured work from William Messner-Loebs, Adam Kubert, Bill Sienkiewicz, Marc Wheatley, Marc Hempel and Dave Stevens and many more, all under a steady editorial steer from Diana Schultz (soon to depart for Dark Horse, where she helped nurture a similarly solid creative roster). Between them they crafted engaging, charming stories that caught the flavour of the original series whilst adding a good dash of narrative sophistication. There’s a strong flavour of Eisner’s The Spirit to this iteration, with the shifting perspectives and cute narrative tricks and flourishes.
Cover Versions: DETECTIVE COMICS
October 3rd, 2012
Being an irregular series wherein I spotlight some particularly beautiful cover runs, from some comics you might have forgotten about, or never seen before. This time it’s a short run of covers for Detective Comics by Michael Golden:
Batman is a character who lends himself to bold artistic interpretations. Over the 70 odd years since his creation many of the brightest and best talents have put their stamp on the Dark Knight, and often to electrifying effect. There’s something bold and simple about the character’s design that lends itself to graphical innovation, and the neo-gothic ultra noir of Gotham provide the perfect artistic backdrop.
As such there’s an embarrassment of riches to choose from with regards to spectacular cover runs, and truth be told I feel a little guilty about selecting any Bat-comics for exposure in this series simply because of their sheer ubiquity – the aim of this feature is generally to expose work that may have been forgotten or overlooked. There is however one short run of Bat-covers that I have always adored, and that I just had to showcase for anyone who hasn’t seen them before. Simply put, these are some of my very favourite comic covers ever; strong stylish and vibrant they showcase the visceral power of the medium at it’s best.
Cover Versions: BLACKHAWK
April 28th, 2012
Being an irregular series wherein I spotlight some particularly beautiful cover runs, from some comics you might have forgotten about, or never seen before. This time it’s the turn of Martin Pasko and Rick Burchett’s Blackhawk…
Whatever Happened to the Mentallium Man of Tomorrow?
April 10th, 2012
Or Flex Mentallo: A Moonrock Murder Mystery!!!!
Okay, as you [may or may not] know, Flex Mentallo is a very good comic by Grant Morrison and Frank Quitely, a four issue Dennis Potter style drama in which a young man who [may or may not] have taken an overdose of paracetamol looks back at this life through the lens of superhero comics.
As you [may or may not] know, Flex Mentallo hadn’t been reprinted until now because of various preposterous legal issues.
Now it’s finally been reprinted in a very handsome hardcover package, you [may or may not] be aware that it’s been the victim of a strange recolouring job, the sort of recolouring that transforms Flex Mentallo’s greatest foe The Mentallium Man from a Jolly Rancher nightmare…
…into the grayest daydream you never had:
Now, I’ll throw a couple of kind words in the direction new colourist Peter Doherty in a minute, but it has to be said that anyone who thinks that a character called the Mentallium Man, who is an exaggerated parody of an old-fashioned comic book villain, needs to look all clean and boring like that is just plain wrong.
Actually, thinking about it, I’d go so far as to say that anyone who prefers this new incarnation of the character needs blasted with all five types of Flex’s own Kryptonite-derivative “Mentallium” at once:
Sadly we never find out what the fifth type of Mentalium, “Lamb and Turkey”, does to The Hero of the Beach, but I think we can take a guess and that our guesses will all be equally delicious.
Moebius: Floating Citadels and All-city Planets
April 3rd, 2012
The following piece appeared in the very fine Architects’ Journal, written by AJ’s Deputy Editor Rory Olcayto *. We’re proud to represent it here on Mindless Ones for your pleasure).
*aka Proto-Mindless One Brother Yawn
The vertiginous cityscape Moebius conjured for The Long Tomorrow is one of the most influential works of architectural art created in the past 50 years. It first appeared in cult magazine Metal Hurlant (Heavy Metal in the UK) in 1976, but its impact beyond comics, his medium of choice, is huge. Sadly the Frenchman, master of spatial representation in comic-book art, died of cancer a couple of weeks ago, aged 73. If you don’t know his work, here’s a short introduction.
In The Long Tomorrow, written by Alien scriptwriter Dan O’Bannon, a hard-boiled detective thriller unfolds on a planet-covering conurbation – an ecumenopolis (a term representing the idea of a worldwide city). Sky bridges and anti-gravity updrafts, now standard fare in Hollywood sci-fi, are set among towering monoliths defined by a stylised Brutalist and Art Nouveau mix.
It has been massively influential – particularly among filmmakers. George Lucas was ‘impressed and affected’ by Moebius, and Ridley Scott claimed The Long Tomorrow inspired his Blade Runner. The artist himself implemented his comic-book vision while production designer on Luc Besson’s The Fifth Element, the most literal transfer of his work to celluloid. The literary world was also in thrall, as William Gibson notes: ‘It’s entirely fair to say that the way Neuromancer-the-novel “looks” was influenced in large part by some of the artwork I saw in Heavy Metal. Those French guys, they got their end in early.’ Even Federico Fellini couldn’t resist Moebius’ art: ‘I have nothing but this to tell you, continue to draw fabulous for our joy, all of us.’
Moebius however was more than a science-fiction artist. He was first noticed for his Lieutenant Blueberry strips, a standard cowboy comic. And some of his most famous artwork depicts Venice, ‘a magical city out of time and space’. There is a typical Moebius twist – gondolas don’t float but fly, and canals have been replaced by deep ravines. Another image shows a floating Mont Saint-Michel, as if the citadel has uprooted itself from the shore below. This sense of breaking free from gravity is a recurring theme. Curiously given his mastery of the subject, Moebius confessed to having no special interest in architecture until he discovered Winsor McCay, the early 20th-century cartoonist who remains a key influence in comic-book art. ‘At first I was scared of architectural designs, because of their difficulty in terms of perspective, etc. When you draw as much science fiction as I do, it is hard not to dabble in architecture. But I remain an amateur. Winsor McCay was a master professional.’ Moebius. Modest. Magnificent. And very dearly missed.
Superhero Horror #2
March 5th, 2012
Give me skeletons over zombies any time.
Zombies have no charge for me anymore. I mean, I get it. I understand completely why everyone obsesses over them, what they *mean*, but it took watching that sequence from Mean Streets again recently, where the drunk, bullet riddled barman continues to lurch towards his would be assassin even though he should’ve keeled over and died five minutes before, to make me feel horrified by the undead again. All the hallmarks of the zombie were there, the shambling flying dutchman of an un-person complete with lolling eyes and outstretched arms, persistance of movement and ‘mission’ inspite of massive structural damage…. But this time I needed a real body, something more literal, less of a symbol (and, now, not just a symbol for scary stuff we’d all rather not think about, but a portal to a whole genre of entertainment/fandoms/an industry, etc. – a tangled mess of associations, many of which I find boring/slash annoying), to make me re-experience the supernatural horror of undeath and thence the very real, physical body-horror it points to. It was an assbackwards way to get there, but it worked.
