December 7th, 2015
LIFE TURDS have prevented me from finishing my long promised post on Julia Scheele‘s comics, so here’s a quick ramble about the dick-slap aesthetics of Nemesis the Warlock and Marshal Law that I stole from my own twitter account…
Matt Maxwell once asked me if I had any thoughts on NEMESIS THE WARLOCK. I do, and they’re all blurred by time & distance but here we go!
In Alec – how to be an artist, Eddie Campbell described Mills & O’Neilll’s NEMESIS as “the wicked satire of a rejected Catholic upbringing”. I wouldn’t presume to be able to improve on that description, but it does point towards what’s so good about *O’Neill’s* NEMESIS.
Don’t get me wrong, plenty of good artists have drawn NEMESIS (including Bryan Talbot, for fuck’s sake!) but O’Neill made it look *naughty*. This is what separates his baroque atrocities from similar dystopias (Warhammer 40K, etc): the heavy metal fanfare never obscures the man.
November 15th, 2015
Living legend David Wynne has commissioned me to write 500 words on this topic. Last night in the pub he teased me with the idea that I was going to be tasked to write 500 words on Frank Miller: Feminist Icon.
Having worked out my pitch for that one in the shower this morning (it’s actually really easy to read his work as an extended deconstruction of chauvinist tropes… so long as you just DON’T LOOK AT THE WOMEN IN HIS COMICS and only pay attention to the men – not an approach that’s conducive to feminist values, hence why this reading of Frank Miller is unlikely to catch on anytime soon) I now find myself face with a far more daunting task.
Five hundred words on “Hard Men with Big Truncheons: The Sexual Politics of Mega-City One”. I mean seriously: what can you say about this subject? What can’t you say?