August 24th, 2014
Secret Avengers #7, by Ales Kot, Michael Walsh, Matthew Wilson and Clayton Cowles
They’re re-writing the TV show again, remaking their little models fit to play the parts occupied by [REDACTED] and [REDACTED] on the screen, picking up tips and characters from [REDACTED], letting the characters get all cute cute cute on the black ops beat, all limber on the page, unbothered by caption chatter, the disconcerting mix of [REDACTED] and [REDACTED], the whole functioning in defiance of the fact that it’s been divined like Frankenstein, realizing Borgesian phantoms. Is the whole thing ectoplasmic, even the brand management, even the [REDACTED] approved implication that we secretly (Secret Avengers) need/crave dangerous spooks like these? This is subversion but the question of who or what is being subverted is as hard to grasp as the figures on the page, sleek in the shadows, smooth like cartoons – is the mechanism being made more likeable here, or more ridiculous? Are these positions necessarily opposed? Or are we on the third path, Dark Starring the bomb to light another day? You will of course interject that here be monsters, but is that not always the case when one is pre-writing history?
Regardless, this is the most effective use of an affected guest star in a [REDACTED] comic since [REDACTED], a triumph of affect over the constant cries of “THIS IS AFFECT!” There are too few contemporary comics that make intrigue feel this easy.