May 31st, 2016
SICK ANIMALS ARE PEOPLE TOO, SO COME ON LET’S MAKE THEIR DREAMS COME TRUE
He had tried so hard. He had tried harder than any man had ever tried. All he wanted was to be the best at the thing he had trained for so long to best at. The thing he was born to be really good at. It was the only thing he cared about, his reason for living. It was the only thing anyone cared about. The world expected him to be the best there ever was or ever would be at the thing. The weight of the world pushed down on his shoulders as it now looked like he might not be the best at doing a thing. He couldn’t let this happen so he clenched his teeth, making his jaw muscles bulge in and out then he punched a locker and went on to become the best there is at doing the thing. Every day was like this for Tom Cruise.
Right, so this is SILENCE! #190 in which The Beast Must Die had to run off at the last minute for a very important and highly paid assassination leaving Gary Lactus to ask twitter for co hosts. He found:
Johnathan Dick, a nice chap from Virginia who talked Nick Spencer’s Steve Rogers Captain America #1 with Gary.
Al Kennedy from House To Astonish who talked DC Rebirth and Baker Street Peculiars.
The pair of them saved the day really so HOORAY FOR THEM!
It goes like this:
May 31st, 2016
If you’ve not read Dan Cox and John Riordan’s Hitsville UK, you’re missing out. Like Daft Punk‘s ‘Get Lucky‘, it’s the sound of the summer. Or like…. shit, it’s hard to pick just one song at this stage in this icy death machine of a year, so let’s split the difference and say that like ‘Lazarus‘ or ‘Adore‘ its deeper magics might just see you through the colder months too.
I picked up the first issue at Thought Bubble a couple of years back, and while it took my alcohol sodden brain a couple of readings to pick up the rhythm, the way the first few pages alternated between rows of panels introducing new bands and those wherein the seedy, behind the scenes types (haunted producers, men who made their money in sewage who now fancy a slightly more alluring expression of power) laid out the groundwork for the plot, but when I’d locked into it I realised that I now had a whole host of new favourite characters to care about.
The rest soon followed, issues #2-4 taken in one rush, flashbacks to being a kid and finally getting your hands on the album after wearing out the single you bought from Our Price down the town centre.
There’s so much in there in this soapy story about a new British indie label – a polyphonic reaction against the Toryfied despair of life in the UK 2016, the alienated teenage appetite for destruction, some saggy dadrock longing, plus a smack to the chops to your actual modern day fascists – all adding up to a baffling but somehow familiar map of British pop, complete with itchy annotations about the seedier and more desperate events going on in the background to some of your favourite magic tunes.
There are jokes here that will become fixed points in your mental landscape (“And there’s just time to make the gig!”). There are faces you’ll find yourself seeing in the mirror in your more wretched moments (Jack Spatz or Gwillum, depending on whether you tend to slick arrogance or despair). There are beautiful concepts and glorious colours galore:
More than any other comic about bands or music, Hitsville UK mimics the thrill and excitement of its subject. Somewhat perversely, this comes from its overwhelming commitment to the comic book form. Where other comics about music feel like extrapolations of zine culture or traditional adventure stories themed around pop stars, Hitsville UK actually feels like music. By revelling in the joys of putting weird looking characters into even weirder situations, trusting that they can keep a rush of daft words and pictures coming and that they can keep it relevant, Riordan and Cox capture something of the hyped up love buzz of being into music. A mix of wanting to keep up with the story and wanting to feel part of the moment as it happens around you.
As such, I figured the best way to look into their dark hearts was by dusting off the old Smash Hits interview questions and seeing what the handsome boys (pictured below) made of them…
1. How well mannered are you?
John: I am incredibly mannered, in the stiff and awkward manner of a 19th century drawing room drama. This is to such an extent that at school my nickname was Captain Mannering. Dan has almost no manners as he was brought up in a seaside arcade.
2. Do you ever check your hair when passing a shop window?
Dan: I avoid all reflective surfaces. I fear the hollow eyed man who stares back at me. The bloated shadow cadaver who rots all clocks. The bastard with the seaweed tangle beard who has stolen all my clothes. The one who whispers ‘You will never be this beautiful again’.
May 30th, 2016
Welcome to Diane… episode 2.
It’s all change as your hosts Adam and Rosie are joined by Mark (aka amypoodle) to discuss the magical undercurrents and symbolic grammars of the second half of the Twin Peaks pilot episode Northwest passage. The queen of Twin Peaks is dead and the soul of the town has been torn and scattered to the winds.
We need a hero: someone to administer the medicine the town needs and begin the reassembly of its story.
Welcome to Twin Peaks, Dale Cooper.
Please let us know what you think of our journey into the woods in the comments below. If we’re doing OK, please think about sharing this episode with your stranger friends everywhere.
Next episode ,we leave development heck and move to LA to start the series proper!